Return to the Mountains

Spring has come and gone down here in the lowlands, and now it’s time for it to make it up to the High Sierra! This past week I had to be in Mammoth for research related activities (learning how to set up 3D high speed video systems to track hummingbirds). Conveniently, this lined up with two images I very much wanted to capture. On my way up I spent a night in the Bristlecone National Forest, taking in the sunset and sunrise from 11,300 feet. This place is simply incredible – a vast open and desolate landscape separating Nevada from the Owen’s Valley. To the East you see nothing.. just flatness, to the East, the 12,000+ foot peaks of the snow covered Sierra loom over the desert valley below. On my drive up I got my first flat in my car, but fortunately half an hour later I was back on track, and managed to catch the sunset at a tree I had scouted out two years ago. It was good to be back.

“Guardian Angel” ~ Bristlecone National Forest, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure: iso 100, f/16, 1/8th sec
Processing: This was deceptively simple – no need for multiple exposures or grad filters, despite shooting into the sunset. Using ACR’s fill light, and some curves layers with selective color masks on the blue sky to darken those areas I was able to control all the light.

It seems that nearly every image I have seen from here always focuses on the Bristlecones themselves, and with good reason – they are really incredible! There’s a personality about them that is truly expressive, and can be down right spooky. Here’s an old favorite from my 2007 trip that I recently reprocessed, I hope you don’t get any nightmares!

“Wretched” ~ Bristlecone National Forest, CA
The Tech: Canon 5D, 50mm f/1.8, handheld
Exposure: iso 100, f/16, 1/400th

Anyways, on that 2007 trip I found a viewpoint that would let me capture the true essence of this desolate place littered with tortured and dying trees: a sort of Pompeii of trees. Fortunately for them, they’ve at least got an incredible view, that of the Sierra Nevada. As the sun rose, the twisted trees turned blood red, further accentuating feeling of tortured death. To be fair, there are still some living trees up here, but I did my best to pick a spot where there’s hardly any (count ‘em: 4).

“The Graveyard” ~ Bristlecone National Forest, CA
The Tech: Canon 5D2, 500mm f/4, tripod + sidekick
Exposure: iso 100, f/18, 0.8 sec
Notes: This was shot as a panorama of 6 vertical images, and stitched using PTGui. You’ll want to view this one big! (click on it). The detail in this is stunning, as you can see the individual stones on the ground of that slope, probably about half a mile away! Of course for the complete effect you’ll have to clear out some space over your sofa and order a 20×40in print

A subtle point regarding this image is that I took it on the sunrise following the summer solstice – that means the sun was at it’s most northerly point in the sky that it will ever reach. This was important because most of the trees on that slope are actually close to the north face, so to catch them with the prime light this was the perfect time. It was also early enough in the year to catch the Sierras with plenty of snow (thanks to a good snow year!). The soft delicate pink light only lasted a few minutes – after that the sun had risen enough that it was already scorching this high desert. Time to head to the hummingbirds! After two days of ‘work’, I headed off for my next adventure, this time with friend and photographer Steve Sieren. I’ve been anticipating this trip for almost a year now – I wanted to catch the most dramatic peaks of the High Sierra, reflected in a still half frozen lake. The destination? Minaret Lake. With a stunning view of Clyde and the other Peaks of the Minarets this place looks like it’s right out of a Lord of the Rings fairytale. I had done my research, and this seemed like the ideal time to go, though when I picked up the permits the ranger said everything up there would be covered in snow still.. fortunately, I did not believe her. After an 8 mile hike Steve and I arrived at the perfectly half frozen Minaret Lake. This is a rare sight for a lake like this, and in its best state only lasts a week or so at most. That evening raging storm clouds formed over Mammoth, while we were still enjoying clear blue skies. There were even some special mammatus clouds that lit up like fire. There weren’t any great compositions looking that way, but you might recall I had a similar experience in Death Valley early this year. Right at sunset, however, the clouds approached our lake, and we were treated to an incredible display of oranges, pinks and reds. Meanwhile the few day old crescent moon was slowly descending in the sky. It wasn’t, however, until about 30 minutes after sunset that for me the real magic happened. Clouds in the Sierra are rare (at least, at sunset/sunrise!); clouds, lake ice, and uncannily positioned crescent moons are a thing of dreams. In this case, my dream was manifested in reality, I hope it speaks to you as it does to me.

“Kiss the Moon” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 2-stop hard GND
Exposure: iso 800, f/14, 6 sec
Processing: I took an additional exposure 2 stops longer to bring in better detail to the mountains without an increase in noise.
Notes: View this one big! (click on it, and turn out the lights for maximum experience)

That night the temperatures dropped under freezing, aligning billions of little water molecules into delicate icy structures, eagerly awaiting to be discovered the following morning. The clouds had completely disappeared, and as the sun cast it’s warm orange glow on the Minarets I decided focus on the icy abstracts at my feet. The snow had hardened quite a bit overnight as well; fortunately I had my crampons to let me get to the edge of the ice safely. What you see here is a section of frozen, thawed, and refrozen ice, catching bubbles and forming ice crystals that jutted out of the smooth surface. From just the right angle, these crystals caught the dawn glow of the Minarets, creating a truly surreal abstract.

“Ice Flambé” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 70-200mm f/4, tripod
Exposure: iso 200, f/16, 1/8th
Processing: I took 5 exposures at different focus settings, and blended the exposures using Helicon Focus for maximum depth of field.
Notes: Definitely need to see this one big! (click on it)

That day I spent scouting around the lake for possible sunset and sunrise locations, and of course just enjoying the incredible mountain scenery. It was a truly refreshing place to be, frozen lakes, peaks that probably are a home to Dragons, and best of all, nearly completely devoid of people! I climbed up to Cecil Lake, off trail and above Minaret Lake to find it nearly completely frozen. The bowl the lake is in was covered in snow, and the 45 degree slopes were a bit much for me and my ice axe without worrying about going for a chilly swim. I’m sure I’ll be back, probably sooner rather than later! While the lake was still experiencing half winter, in the thawed out meadows around the lake spring has sprung. One of the most photogenic plants in the area are Corn Lilies, which when you catch them before the sun and insects wreak havoc on the fresh green textures, are pure photographic delight. The mosquitoes detracted a bit from the Zen like garden experience, but you probably aren’t being sucked dry of blood right now, so it’ll be a more pleasant experience for you!

“Corn Lilies” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, polarizer, tripod
Exposure: iso 100, f/16, 0.5 sec

That evening faint clouds appeared and turned a soft pink, however, I wasn’t quite satisfied with where they appeared or the quality of light they produced. The following sunrise I returned to a spot I found the previous day, and about 15 minutes before sunrise (~5:15am) there must have been some incredible stuff happening out in the Eastern skies, because the Minarets turned a soft reddish magenta.

“Minaret Morning” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 3-stop soft GND
Exposure: iso 400, f/14, 10 sec

I hope you enjoyed this taste of the mountains, and I hope to be able to share some more with you from future trips this summer!

Strijklicht

It’s been a while since my last posting.. I also haven’t had as much time for adventuring. I recently returned from a trip to the motherland – Nederland. Every year, or two years or so, I make the pilgrimage back to see the family, make grandmothers happy, etc. For those of you who weren’t aware or hadn’t guessed, I am 100% Dutch. We believe that there’s a distant relationship to the famous Dutch painter Peter Brueghel (the differences in spelling are consistent with changes in the language). Anyways, while most of my time was spent visiting relatives, racing through the countryside on trains, or eating Dutch delicacies like raw Herring, vlaamse friet (real fries, cooked with horse fat), and poffertjes (bite size pancake like things).. I did manage to sneak outside a few times. Now, the dutch landscape is not by any means dramatic or awe inspiring by most countries’ standards, but that didn’t stop me from finding some beautiful spots.

This first image is from the Schoorlse Duinen, which is near Bergen aan Zee. Translated that literally means “Mountains by the Sea”. So yes, the image below showcases the majestic and awe inspiring high mountain peaks of the Netherlands. Technically they are dunes, covered in vegetation of course. Photographing in the golden hour in a place like the Netherlands, which is at a much higher latitude than, say, Southern California, has it’s ups and downs. Sleep must be sacrificed – sunset is at 10:30pm and sunrise is at 5am or so, but the ‘golden hour’ lasts a lot longer than it does down here in California. I can only imagine what pain the poor Norwegians go through if they want to see sunset and sunrise on consecutive days.. Well, I set my alarm for 4am, saw that the clouds looked pretty promising, and headed out into the dunes. Generally it’s advisable to stay on the hard path when you’re biking.. apparently I made a wrong choice somewhere and ended up on a path that dwindled down to a sandy foot track. After a lot of exertion from pushing the bike through the loose sand, I found the path back (I didn’t want to turn around at this point!). As the sun rose and turned the thunder clouds pink I started searching for something.. anything! These tufts of grass on the top of a small hill caught my eye, and I got there just in time for the breaking sunlight.

“Strijklicht” ~ Schoorlse Duinen, the Netherlands
The Tech: Canon 5D2, 16-35mm mkII @ 27mm, tripod, 2-stop hard GND
Exposure: iso 100, f/16, 1/5th sec
Notes: It was constantly a little breezy, and having studied a number of moving grass photos, I came to the realization that for a scene like this, just enough motion to blur the blades was ideal. An overly long exposure renders the grasses as fluffy blurs that don’t have the same beautiful brush like impact that the grasses do in person. I found 1/5th sec was just right (I had a Singh-Ray Vari ND on hand in case I needed a longer exposure. Title explained lower down.

My next opportunity to escape was in Oisterwijk, my grandma’s town and my father’s hometown. My dad and I went for a bike ride through his childhood playground – the Oisterwijkse Vennen. The most promising spot I found was actually on the edge of the Kampina Hei, a large prairie like space. I spotted a stand of birches that I knew would catch some special light in the late evening.. so after dinner we returned to this scene. It’s rare to get real side light in a forest, since when the sun is that low there’s usually way too many trees in the way to let the light through. Since this relatively sparse grove was at the edge of a large flat open space it got soaked in golden light.

” ‘t Berkenbos (v)” ~ Kampina Hei, the Netherlands
The Tech: Canon 5D2, 24-105mm @ 35mm, tripod, polarizer
Exposure: iso 100, f/16, 0.8 sec
Processing: I had to double process the raw file to control the shadows and highlights in this one. Using the select color range tool and some gaussian blur it’s pretty easy to make the appropriate mask.

” ‘t Berkenbos (h)” ~ Kampina Hei, the Netherlands
The Tech: Canon 5D2, 24-105mm @ 55mm, tripod, polarizer
Exposure: iso 100, f/16, 0.6 sec
Processing: I had to double process the raw file to control the shadows and highlights in this one. Using the select color range tool and some gaussian blur it’s pretty easy to make the appropriate mask.

Normally I don’t like to have multiple copies of almost exactly the same scene, but I simply can’t choose between these two. I like the verticality and open feeling of the first, and the graphic abstract nature of the second. So, I’ll present both and you can take your pick, or not

Now, most of you probably still have no idea what the title, strijklicht means. The Dutch are much more advanced when it comes to terms for light, as the single word “strijklicht” means “warm, low-angled soft light” – ie. the light every photographer loves. I don’t know if it’s the digital revolution or what, but for some reason I see very few images these days that actually take advantage of this kind of light – it seems like it’s all about the pink and red sunset colors and completely diffuse lighting for forests and waterfalls. Granted, that kind of light is much easier to exposure for and process. A little bit of direct light, however, adds an incredible dimension of depth and life to an image. If you look at many of the famous old large format shooters, they used a lot more direct light than what I see being done digitally, while we have a distinct advantage in dynamic range over velvia now! So, I’ve decided that while it can be harder to find, more difficult to expose for, and sometimes less dramatically colorful than the pink colors, I’m going to make a concerted effort to continue looking for opportunities to photograph in this kind of light. As you hopefully saw in these images, it can turn rather ordinary and bland subjects into marvelous sights. It’s like putting a delicious jelly on a plain old piece of bread.

Slide into the Wild

Last year I spent the last few days of May in Sequoia and King’s Canyon National Parks, taking in the magical beauty of the dogwood blooms among the majestic giants. It was such an incredible experience, that I had to go again. For those of you who may not have browsed through my website, or if you just need a reminder as to why this place is so magical, I thought I’d bring out my crown jewel from last year to start this off.

“Life Among Giants” ~ Sequoia National Park, CA
The Tech: Canon 5D, 17-40mm, tripod
Exposure: iso 100, f/16, 2.5 sec
Processing: I took an additional exposure at iso 800 and a faster shutter speed to make sure the deer came out sharp, and blended that in with the main exposure.

I’ve accepted that it’s rather unlikely I’ll ever top this image in the genre of wide angle forest scenes, so this time around I focused on some other concepts. Incidentally, it was rather interesting to me to note that the star dogwood in that shot had but a few blooms this year, same with the other dogwood I photographed last May. Overall the bloom this year wasn’t as spectacular as last year, but there’s always some trees that are putting on their best. The dogwoods, however, are just an accent to the real treasure here – the Giant Sequoias. To me, their most striking features are their commanding and majestic presence. While “Life Among Giants” shows the trees together as a forest in a very special way, my favorite part of hiking through the forests here is seeing lonely giants pop up in the midst of ‘lesser’ conifers. They emerge out of the greenery with their striking red and orange trunks, silent and powerful. You just have to stop and stare, no matter how many times you’ve seen it. So, my girlfriend Ali and I headed out to the parks, and spent our first day doing a few little day hikes. I found a few incredibly promising Lupine fields that I’ll hopefully be able to revisit once they bloom sometime this next month, but other little flowers were already out in force.

“Magic Carpet” ~ Sequoia National Park, CA
The Tech: Canon 5DII, 24-105mm, polarizer, tripod
Exposure: iso 200, f/22, 1/5th sec
Processing: I used an additional exposure at f/10 to bring a little blur into the background

For sunset we wandered through my favorite grove, where I took “Life of Giants” last year. I learned in making that image that a little bit of direct yet soft light makes a huge difference with the Sequoias – bringing out the color and depth that simply evaporates under more diffuse conditions (which are generally considered ideal photographic conditions for forests). So I spent the time actively searching for a combination of showy dogwoods and that special light. Eventually, I found it.

“Spring Snow” ~ Sequoia National Park, CA
The Tech: Canon 5DII, 70-200mm, tripod
Exposure: iso 200, f/5.6, 1/40th
Processing: Using some curves adjustments I was able to reduce the impact of some distracting branches, which dramatically improved the image.

The following morning, together with the 5:45am sunrise, I set out to find something new. I had a few hours before the sun would finally make it over the Sierra crest and into the west facing canyons, and I wanted to catch it right as that was happening. It wasn’t long before a Giant struck me in that majestic way I described. Wreathed in dogwoods, I knew it wouldn’t get better for this particular kind of image. I set up, and waited. An hour passed, and finally the first rays of light entered the scene, adding a subtle but delicate touch to the dogwoods.

Flowers for Giants II
The Tech: Canon 5DII, 70-200mm, polarizer, tripod
Exposure: iso 400, f/16, 0.6 sec
Notes: I shot this as a 2-shot panorama to retain maximum detail, I also took an additional image so that I can make a horizontal composition, but prefer the vertical. I needed the higher iso to freeze the light motion in the leaves and flowers.

I got back to the tent, woke up Ali and got ready for our short backpack (she lives on a 26 hour day, instead of the normal 24 that most of us do, which means she sleeps an extra 2 hours). One of the most magical Sequoia experiences I’ve found is that of Redwood Canyon. I have precious few (one to be exact) images from the canyon itself, though the ridge on the side was the site of my winter excursion in December. The canyon is just so dense that it’s nearly impossible to photograph, but it’s a superb place to experience. Our destination, however, was a bit further down from the Sequoias, a place called “Big Springs”. Along with the dogwoods, Sequoias, bears, etc., Redwood Canyon is home to one of the two largest caves in California – Lilburn Cave. It’s an actively researched cave (there’s a little hut that the scientists stay at for the summer) with about 25 miles of passageways. Once you get past the end of the Sequoias the creek sort of disappears into the ground, except for a few special re-appearances along the way with precious little waterfalls and pools. The forest turns into a rather dry and bland place compared to the previous mile and a half. Then, suddenly a stream emerges from the side of the canyon – Big Springs. I’m not talking about a little seeping spring, no, this is a real creek, I’m actually tempted to call it a river. The icy cold water rushes past moss covered boulders, and from then on the canyon takes on a new form – clearly carved by a faster and bigger flow than higher up, and the greenery erupts as if you were in the Colombia River Gorge, while only 100 yards away is a dry oak scrub forest. I gave in to the urge to explore, and once the trail ended, the fun began: this was true wilderness.

“Summer Stream” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 400, f/16, 0.6 sec

“Verdant Wilderness” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 400, f/16, 2.5 sec
Processing: I took this as a 4-shot panorama at 17mm (vertical orientation), since I didn’t have a lens wide enough. Fortunately the water foreground made stitching it rather simple (using PTGui). I also took a second exposure for each image at iso 1600 and 0.6 sec to bring in more water detail. PTGui makes it easy to stitch two sets of images with the same parameters, so a blend like this is relatively straightforward.

I skirted my way along the edge of the now steep canyon walls, and past a 10 ft deep crystal clear aqua colored pool (the stream almost had a glacial like style to it, emerging from deep underground has that effect I suppose). At the base of the pool was a slide that gently guided water along mossy banks to the next stage of the river, and, apparently, an American Dipper nest. They were certainly surprised to see me there – I doubt this stretch of stream sees more than a handful of people every year. In fact, I saw at least two pairs of dippers along this section of the canyon.

“Slide into the Wild” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 100, f/16, 8 sec
Processing: I took an additional exposure at iso 3200 and 1/13th sec to blend in some more water detail. Unfortunately the small web jpeg is hiding much of that – you can get a better idea for the details from this crop.

Soon after (before it got dark!) I had to head back to camp, where Ali was studying physics flash cards for the MCAT’s. I think I was having more fun! She didn’t have it all that bad though, we couldn’t have found a more idyllic spot to pitch the tent.

“In Paradise” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 1600, f/18, 0.5 sec
Notes: Live view was particularly useful here for optimizing the focus and aperture settings – those flowers were but a few inches from the camera, and yet I was just able to get everything in focus. The high iso was of course to freeze our inevitable movements.

We weren’t the only ones that found this canyon a special place – thousands upon thousands of ladybugs thought so too. Apparently there are some species that spend the winter hibernating in these large masses in the mountains, and we happened to be by one of their favorite spots.

“Woodland Ladies” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 24-105mm. polarizer, tripod
Exposure: iso 1600, f/16, 0.6 sec
Notes: I needed the high iso to freeze the movement of the bugs – some of them were squirming around and crawling on the others. As you might have noticed, the high iso capabilities of these modern digital cameras are opening up so many amazing opportunities!

Well, I hope you enjoyed the vicarious experience of our wilderness adventure, be sure and get out to some fresh air yourself if you haven’t recently. I hear it’s good for the brain too!

Under Bluebird Skies

As a resident of Southern California, I spend most of my days under the brilliantly hot sun, and skies without a cloud in sight. These conditions are the bane of most photographers’ existence, but I’ve learned to take advantage of these times to do some of my most creative work. This past weekend I went out to the Alabama Hills and the surrounding area with another SoCal photographer Ben Glatt. The first morning we spent exploring some bizarre water eroded Basalt formations south of Owen’s Lake in an area called Fossil Falls. The formations reminded me of images I’ve seen from the Tepuis in Venezuela, only much smaller in scale. The ‘falls’ start suddenly – the desert wash gives way to a patio of basalt, which quickly drops off into a deep gorge of black rock – a popular destination for climbers. In the predawn light I discovered this lonely flower, a Sacred Datura (Solanaceae family), which had found a sheltered spot in one of the many potholes of the basalt maze. The Datura flowers at night, as it is pollinated by nocturnal creatures like hawk moths, so be being here in the early morning hours I was fortunate to catch it at full bloom. A perhaps more interesting fact about this flower is it’s strong hallucinogenic properties – make a tea from this plant and you’ll be seeing more visions than you would on peyote or LSD. Unfortunately, those visions can have a lasting impression on your day to day experiences, and it’s quite possible you’ll become permanently psychotic. Unless of course you have some Native American contacts who can tell you at what time of year and moon cycle you should pick the plants, and how to prepare them to minimize the highly toxic effects. If you managed to do that, you could be communicating with the birds, find your totem animal, and awaken supernormal perceptual states that you never knew existed.. but I leave you with words of caution. After all, I certainly didn’t taste it, and still managed to see some pretty weird stuff!

“Karma?” ~ Owen’s Valley, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, polarizer
Exposure: iso 200, f/16, 1/13th sec

As the sun slowly crept up in the sky, and illuminated the mountains with a warm glow, I started thinking about the next scene. I had already imagined this one before arriving at the falls. I wanted a low key (dark) image, with just subtle tonal and color variations, but I knew there had to be a special touch to make it stand out. That special touch, as many photographers know, is a hint of light. I knew I’d only have a few minutes when that sun hit the basalt. By sheer luck the light first struck the most prominent feature in my favored predawn composition, adding the depth it needed.

“A Light in the Dark” ~ Owen’s Valley, CA
The Tech: Canon 5D2, 70-200mm, tripod, slight crop
Exposure: iso 200, f/18, 0.3 sec

While you won’t get a marvelous sunrise or sunset when there’s no clouds out, there are some things that are certain: the sun will rise, it will set, and the stars will come out. Less reliable things (depending on your preparedness) include the moon, and the degree to which the ‘earth shadow’ will be exciting. Occasionally you can get sufficient color in the sky simply from the dust in the air and the physics of light. But if it’s not your lucky day, you can still use the light to your advantage on exciting detail oriented images, using the low angle sun like a giant studio light (well, with less control). What happens after the sun has risen can be trickier. If you’re in a place like Utah, that’s when the fun begins – many of the narrow canyons are at their best at some point during the middle of the day. The best plan of attack is to have a plan set in place for sunny days like this, and know where you can find canyon like features which will come alive with reflected light. Another option is to use an umbrella or other method of creating shade, which will let you work on detail images throughout the heat of the day. Lastly, the middle of a sunny day is a fantastic time to go for hike, and explore to find new and exciting places you can return to when the light is right. For example, during the rest of the day, while exploring the Alabama Hills I found these rather sensual boulders. I returned at sunset to catch a brilliant sun star, adding plenty of drama without a cloud in sight (those insignificant puffs don’t count).

“Lady of the Sun” ~ Alabama Hills, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 3-stop reverse GND, fingers
Exposure 1: iso 100, f/22, 1/60th (with GND)
Exposure 2: iso 100, f/22, 1/20th (without GND)
Exposure 3: iso 100, f/22, 1/20th (with pinky finger)
Exposure 4: iso 100, f/22, 1/20th (with two fingers)
Processing: I used the first two exposures to control the extreme dynamic range, and the second two exposures to eliminate the horrible flare spots created by shooting directly into the sun.

The following day I needed to pass the time until about 3pm, when I wanted to photograph this composition I had stumbled upon the previous day, but this time under better light. To pass the time I continued exploring the area, and now have several more exciting places to photograph next time I come out here. At one point, on my way to check out the light around noon, I heard an owl hoot. In my countless years of camping I’ve heard many owls, found many feathers and pellets, but I’ve only seen a handful of actual owls. I’m not counting the owls that I knew about before hand, which account for my entire owl collection up until now. Well, I figured this was a good time to try my Great Horned Owl hoot – and he responded! And proceeded to fly out of hiding to check me out! I quickly grabbed my big lens (which I thankfully had with me), and scrambled up some (car sized) boulders. There he was, blending in with the stone in the reflected light, checking out what it was I was doing with such an odd contraption.

Great Horned Owl ~ Alabama Hills, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/8, 1/640th sec
Notes: Due to the extreme heat, and thus heat waves, I needed a fast exposure and smaller aperture to squeeze as much detail as possible out of this shot. Fortunately with the 5D2 using iso 800 is not a compromise in quality.

A few hours later I wriggled my way into the narrow slot I’d been waiting to shoot, and further proceeded to wedge myself 4 feet off the canyon floor. After some careful tuning of my tripod position, everything was just right.. except my foot was in the picture.. at this point I shifted my weight to one hand and some odd combination of wedged feet, and ankle and thigh forces, and got the disorienting image you see here. What treasure lies under those stones? I’m not sure, but I did find a Great Horned Owl feather in here!

“X Marks the Spot” ~ Alabama Hills, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure: iso 200, f/22, 10 sec
Notes: In addition to the single f/22 exposure, I took a stack at f/16, which when I will at some point in the future use to get some better detail out of the image.

Well, I hope this was enough to convince you that even on a sunny day with nothing but blue skies you can not only enjoy nature, but you can even do exciting photography! So don’t let yourself be chained to the air conditioned comfort of your home or car.. this lady sure didn’t, or at least, she didn’t let it stop her!

“On the Way to Mt. Whitney” ~ Whitney Portal Rd, Lone Pine, CA
The Tech: Canon 5D2, 70-200mm, handheld
Exposure: iso 400, f/8, 1/1250th

The Twilight

This is just a short note, no new images unfortunately, but I said I’d let you all know when I’d written up my article on photographing the twilight, as well as star trails. So if you’re curious, it’s up on the Nature Photographers Network here: The Twilight Hour. You’ll find in depth instructions, comments, images, inspiration, etc.. everything you should need to start photographing one of the most magical and overlooked times of day!

“The Twilight Blues” ~ Mt. Rainier National Park, WA
Techs and processing: check out the article!

Also up recently is an article of mine on the Singh-Ray filters blog, if you’re interested in learning more about how to use graduated neutral density filters, polarizers, and other fancier toys, it’s definitely worth checking out. Here’s a link to my article.

A Weekend for the Birds

While most of America is still in the full throws of spring (or at least the beginnings of it I hope), in Southern California, we’re quickly progressing into summer. Many of the flowers have finished putting on their show, the rolling green hills are starting to turn gold, and the migratory birds are beginning their trek up north, stopping by various Southern California destinations on the way.

Earlier this week I made a quick trip to the Tehachapi Mountains, and found a lovely spot to catch the sunrise thanks to a tip from a local, and some exploring on Google Earth. After a three hour nap, I got up at 5am to find my spot, and was treated to a delicate, fickle, but soothing sunrise. When I stare at a scene like this I just feel at peace, filled with the freedom and solitude to just roam. Ironically, however, that freedom can only be enjoyed visually: these hills, and nearly all of them like this, are laced with barb wire fences to keep the cattle in check. You will of course want to see this one bigger – click on it to see the details!

“Freedom of the Hills” ~ Tehachapi Mountains, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 2-stop hard GND
Exposure: iso 200, f/14, 1/8th sec
Notes: I shot this as a 3 exposure panorama, and stitched the files in PTGui.

So, now that you’ve seen the state of the season in Southern California, we can move on to the birds. At Eaton Canyon they are hard at work, collecting food for their young ones, and singing their little hearts out.

California Towhee ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/8, 1/125th sec

Spotted Towhee ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/125th sec

For those bird fans out there, this is your lucky day, I finally got to do some more birding over the last few weeks. The migrants coming through makes things more exciting of course. It’s not quite Ithaca in warbler season, but the light and backgrounds available here more than make up for it. I try to include more habitat (and in an artistic manner) than most bird photographers out there, I hope you like the results. And if you are yourself a bird photographer, I urge you to look for opportunities that are more than just ‘a bird on a stick’. Sometimes when I’m out birding with the big telephoto lens (I usually don’t take any other gear with me), I’ll see something else that catches my eye. Here’s two such scenes that caught my eye. The first is ‘just’ tree bark – usually a cliché – but the dappled light and singular variation in color made it stand out for me. The second was photographed under entirely natural conditions, with very little processing besides the black and white conversion – the sun directly illuminated this scene, while the background was in deep shadow, creating a ghostly reverse silhouette.

“Cracked Skin” ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/125th sec

“Ghosts” ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/16, 1/200th sec

This past weekend I made several short trips, each with great success thanks to good timing and valuable research. This first image is from near Anza-Borrego State Park. I had scouted out this location on one of my previous trips, and knew it would be perfect for an exciting sunrise. Since then I kept an eye on the weather, looking for the tell-tale ‘mostly cloudy’ overnight and ‘mostly sunny’ the following day. Such change-ups in weather often provide a very good chance at at least something exciting happening. In fact, I went to the hills above under the same predicted conditions – two for two this week! This spot is called ‘the pumpkin patch’, and is technically in the Ocotillo Wells Vehicular Recreation Area. To protect the weird formations from the dirt bikers and thieves, there’s a big fence surrounding the relatively small patch of ‘pumpkins’. There aren’t many compositions possible without getting too much of the fence in the frame, this was one exception, though I did have to clone out a few fence parts way off on the horizon – the wide angle lens perspective made them relatively insignificant and you probably wouldn’t even have noticed them at this size. It’s believed that the ‘pumpkins’, more technically mud concretions, were formed underground by sand and mud cementing themselves to small particles like a sand grains, or shell fragments. Then as water and wind eroded the surrounding matrix away, the strange mud balls were revealed.

“The Pumpkin Patch” ~ Near Anza-Borrego
The Tech: Canon 5D2, 16-35mm mkII, 2-stop hard GND, tripod
Exposure: iso 200, f/14, 1.3 sec

The ugly side of the pumpkin patch – the fence surrounding it to protect it from dirt bikes and thieves.

After my brief, but colorful, morning in Anza-Borrego, I made my way to the Big Morongo Nature Preserve, a truly amazing bird magnet of the desert. This is a little oasis with lots of Cottonwoods, Palms, and even a Marsh! Not surprisingly, the birds love this place, and all the migrants make sure to make a stop. It’s almost like being in the tropics, what with the colorful tanagers, warblers, and flycatchers! Of course, then you realize that it’s not a humid heat, no, it’s a dry heat that will soon reach 110F on a daily basis. But for now, it truly is a little paradise.

Vermilion Flycatcher ~ Big Morongo Nature Preserve, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 200, f/5.6, 1/250th sec

Baby Bluebirds ~ Big Morongo Nature Preserve, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/400th sec

For a few more birds, slightly less artistically inspired, see here.

Since I was on a roll with the birds, I decided to pay a visit to an American Dipper nest I had heard about thanks to a friendly Pasadena Audubon member. After a 5 mile bike ride in a lovely little canyon I got the to place – a truly lovely setting to have your home! So wonderful, in fact, that it seemed as though these dippers were busy building a second home! I don’t blame them, I doubt there’s a better spot you could ask for (at least, in the San Gabriel’s, where idyllic scenes like this are very rare). The American Dipper is America’s only aquatic songbird, and they full fill their niche with style. Allegedly John Muir’s favorite bird, these little songbirds will swim through swift currents, dive into little ponds, and cling to slippery surfaces with (relative) ease (I did see them slip a couple times). They aren’t by any means restricted to living in balmy places like the foothills around LA, I’ve seen them diving for bugs in small holes of ice in the dead of winter in Utah’s Wasatch Mountains. But this pair must have it good in their little fairyland.

The Dipper’s fantasy home.

American Dipper ~ San Gabriel Mountains, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, tripod/sidekick
Exposure: iso 3200, f/5.6, 1/125th sec

American Dipper ~ San Gabriel Mountains, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, tripod/sidekick
Exposure 1: iso 3200, f/5.6, 1/160th sec
Exposure 2: iso 400, f/7.1, 1/13th
Notes: I blended the bird from the high iso fast exposure, and the water from the longer exposure. The water in the shorter exposure was too distracting – neither frozen nor smooth and watery.

For a few more of the dippers, including a close up of their nest above the falls see here.

That’s all the images for this week, hope you enjoyed the more than usual number of birds that graced this edition of my blog.

The show two weeks ago here in Pasadena went really well, thanks to all those who came out! There was a lot of great art hanging from the walls, and it looks like there’s future shows in the works. Several of my prints are still hanging in the window of the building on Raymond St., near Colorado Ave across the street from Dick Blick’s Art store – if you missed the show and find yourself in Old Town Pasadena, make sure to check them out. Calendars will soon be available for pre-order, so start counting your friends in need of gifts this year!

A Desert Paradise

It’s been some time since I last updated with an adventure.. largely because there’s several exciting things to note.

1. I have a small display of prints of bird photographs at the Eaton Canyon Nature Center, so if you live in the Pasadena area, head over there to go for a walk and check out the images. I’ll be updating them every few months. The Nature Center is open 8-5 every day of the week.

2. I’m producing a 2010 Calendar, which will be available for order in 1-2 months time. I’ll of course make an announcement when it’s ready to ship – but I wanted to share the excitement with you all! It will be a collection of California based images, representing the full spectrum of seasons, with each month featuring a different image accompanied by a short story with content similar to what you find here on the blog.

3. I am participating in a big art show in Pasadena next week. There’s a reception at 7pm on Friday April 24th at 35 S. Raymond, in Old Town pasadena, there should be free nibbles and drinks. The gallery director had the creative control over image choices, so it will be a collection of 8 large prints of abstracts from various southwest canyons. If you’re in the area come out and check out the show, and make sure to introduce yourself to me!

Ok.. now on to the story of the Desert Paradise.

Last time I mentioned I was hoping the desert blooms would hold out for me.. well, they did, at least, at higher elevations they did. These past two weekends I made my way to Anza-Borrego State Park in the very southern reaches of California. The Desert Region of California is a very strange place, by the way. This area includes towns like Palm Springs, Indio, Coachella, and Borrego Springs. To be honest, I have tried to spend as little time as possible in these establishments, but you can get an idea for the culture of the place by listening to the radio… which when averaging 400 miles of driving through Southern California over the weekends, you end up doing a lot. Nowhere else have I heard commercials on the radio for breast augmentation or the local night club. Furthermore, while Anza-Borrego is a State Park, that doesn’t mean you won’t encounter a 24 hour rave in the middle of the desert – literally, not off the dirt road, no no, off trail somewhere in a side canyon. Last weekend I met up with another local LA photographer Steve Sieren and we showed up at this little canyon in the evening to the sound of a faint thumping. To me it sounded like a subwoofer. Then, in the middle of the night Steve ended up talking to some guy coming back from the party, and mentioned there was a full on rave (with generators, amps, glow sticks, etc…), confirming my suspicions. When we were done with our morning shoot around 9am they were still going strong (though we never did find them). Also, leaving or entering the park by way of a dirt road is a bad idea – you end up in a maze of oscillating sand roads swarming with dirt bikes, ATV’s, and four wheel drive golf carts (not dune buggies, they really did look like golf carts, complete with plastic sunroof/roll cage). Clearly this isn’t my culture, and I don’t mean to offend anyone who partakes in these activities, but I was just confused. On more than one occasion I had to spend much longer than I’d have liked negotiating the sandy speed bumps, which had a wavelength of my car, and an amplitude of 3-4 feet (while probably fun on a dirt bike, they are not exactly pleasant in a car).

Ok, now on to the flowers, adventures, and a little bit of geology. The flowers in the lower regions of the park were spent, but at higher elevations they were still going strong. The park puts out a nice list of places with currently blooming flowers (as do the websites mentioned last time). On my first trip with Steve, we spent sunset at the Carrizo Badlands overlook. Before he arrived I spent a few hours exploring the badlands themselves, but couldn’t find any great blooms, and the vistas weren’t hugely inspiring from there. The classically cloudless desert skies didn’t help either. But it’s amazing what lovely little flowers will burst from the sand given sufficient rain and subsequent sun. This little patch of lupines and blooming Ocotillo (the awkward looking cactus with red flowers) seemed to capture the place for me, though I won’t consider it ‘art’, more documentary. Make sure you view the large image to actually see the details.

“Arid Blooms” ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 16-35mm mkII, 2-stop hard GND, tripod
Exposure: iso 400, f/16, 1/25th sec

The following morning we spent at Plum Canyon – near where the rave was thumping. Given the lack of exciting skies, I concentrated on the details of the desert.

Brittlebush ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 24-105mm, tripod
Exposure: iso 400, f/4, 1/800th

Agave ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 24-105mm, tripod
Exposure: iso 100, f/16, 1/8th
Notes: This is a single exposure, but I took several at different focus settings and am hoping to blend them using some focus stacking software like helicon, but haven’t yet gotten around to that.

During our scouting that morning before sunrise, we stumbled upon a few Beavertail Cacti which were not yet blooming, but loaded with buds. It seemed like they were within a week or so of blooming to me.. so when I saw that there was a clearing storm predicted for friday night last week I decided to head back again in hopes of catching the blooming cacti and a colorful brewing storm. As expected, the LA traffic was terrible. I hardly made it to the park entrance in time for sunset, certainly not enough time to go find those cacti again and try to photograph them (provided they were indeed blooming). Well, I pulled off the road at the canyon, jumped out of the car, and scrambled to find something to shoot! These teddy bear cholla’s caught my attention first, more on the supposedly fuzzy teddy bears (spoiler: they aren’t so fuzzy).

Teddy Bear Sunset ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 16-35mm mkII, 2-stop hard GND, tripod
Exposure: iso 400, f/16, 1/8th

Once those clouds disappeared, it was time to find something looking West, towards where the sunset was happening. I meandered aimlessly through the undulating wash, and suddenly stumbled on this blooming cactus – a king of Hedgehog Cactus I believe. I spent quite some time here, and at one point the clouds broke up to create this dynamic formation.

The Desert Dance ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 16-35mm mkII, 2-stop hard GND, tripod
Exposure: iso 400, f/22, 0.3 sec
Note: for an image like this, where the wind was blowing pretty significantly, using a graduated neutral density makes processing the image significantly easier than trying to blend two exposures where the components may not line up.

Once the show was over I decided it would be prudent to see if the cacti I had come for were actually blooming. This involved a mid night treasure hunt with the GPS, being careful to avoid the spiny teddy bears, the near full moon helped quite a bit, otherwise this would have been a little too adventurous. Another popular name for them is ‘jumping cactus’, which is a surprisingly accurate nickname. As careful as you might be, they will somehow jump out and stab you in the leg.. then you’ve got this spiny ball of cactus digging into your muscle. There’s no hope of pulling it out by hand, that would just get your fingers stabbed too. By grabbing the spine-ball with two rocks I was able to de-cactus myself without breaking any of the offending needles. I got pretty good at this.. Anyways, I found all four of my target cacti, and… none of them were blooming. They had hardly changed at all! I guess it must have been too cold for them the past week. Ok, well, time to go exploring I guess!

For a closer look at those evil little spiny cactus creatures, here’s one at it’s best: backlit by the setting sun.

A Spiny Fella ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 16-35mm mkII, 3-stop reverse GND, tripod
Exposure: iso 100, f/22, 1/30th sec

After looking at the map for a while, I decided to check out the badlands, and the view from Font’s Point and another nearby spot. The view is quite spectacular, similar to the Grand Canyon in a way, which is kind of ironic from a geological point of view. If you’ve ever looked at the Grand Canyon and wondered, “now where did all that stuff go?!”. Well, the answer is, it went here, to the Anza-Borrego Badlands. While the view was quite spectacular, the clouds had largely dissipated by morning, and I didn’t find anything exceptionally inspiring. Some people like the area so much that they’ve actually gotten married here.. using 4WD limos of course. I guess you can expect anything when you’re within a few hours of LA. On my way out I stumbled across this scene – the quintessential desert wash. For me there was a strong personal connection with this one, probably all the washes my parents took me hiking through as a kid.

Racing Down the Wash ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 24-105mm, polarizer, tripod
Exposure: iso 200, f/16, 1/10th

While Anza-Borrego may be known for it’s wild flowers or maybe the badlands, what it’s really famous for are the desert oases – the Palm trees in the middle of the desert!

Paradise Lost ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 70-200mm, polarizer, tripod
Exposure: iso 200, f/11, 1/4th sec
Notes: this was a 3-exposure panorama, blended with PTGui.

Again, what you’re seeing there is the contents of the Grand Canyon. Miles upon miles of inhospitable piles of mud filling in the cracks between what used to be significant mountains at the edge of an ocean teaming with life. And yet, despite the harsh desert climate, there’s Palm trees! A relic of the prehistoric paradise that must have been here (figuratively speaking). In fact, there are lots of little Oases, some with over 30 Palms, which serve as a home to the many desert animals that make there homes here. The park was originally made a state park for Anza-Borrego’s most famous canyon: Borrego Palm Canyon. The first one and half miles, leading to the primary Oasis, are teaming with tourists. Folks in dress shoes, pretty dresses, and a collection of toddlers make their way up the sandy wash to see the Palm trees in the middle of the desert. With the babbling brook and countless waterfalls, it really is like a little paradise, except for the people. The solution? Keep going! Here it starts to get a bit rough with some rock hopping, stream crossing, route finding etc. That’s what keeps the tourists away. Fortunately due to some recent flash floods over the past decade the vegetation wasn’t too thick, and it was relatively easy getting through as compared to reports from 10 years ago. After every few bends in the canyon another Oasis presents itself. Though smaller than the one the tourists go to, they are more photogenic, pristine, and relaxing. At this point it seems I had made it far enough up the canyon, gaining enough elevation, to actually run into blooming cacti. In fact, an entire hillside of the canyon was covered (well, relatively speaking) with blooming Beavertail Cacti! finding one with enough good blooms (generally only a few flowers open at a time), with a decent view of the canyon and Palm trees was challenging. But as if further consolation for my other cacti, there was one!

Desert Paradise ~ Anza-Borrego State Park, CA
The Tech: Canon 5D mkII, 16-35mm mkII, polarizer
Exposure: iso 200, f/18, 1/30th sec

I can’t remember if I’ve ever taken, let alone posted, a mid-day photo like this. I’m almost certain that’s never happened (save for detail shots that I managed to get in the shade one way or another). I was incredibly lucky to have fluffy drifting clouds both overhead and in the small patch of visible sky. As the clouds moved across the sun they acted as diffusers and reflectors, and here I managed to capture a brief moment right at the transition of shade and sun, creating a low contrast but sunny glow. It’s a bit of a postcard, but it doesn’t get much more desert paradise than that!

This seems to already have turned into a rather lengthy story, but there’s just a few more images to share, for all you bird lovers. Over the course of a few evenings at Eaton Canyon in Pasadena, I came across this California Thrasher. They have an exceptionally curved bill, used for searching the leaf litter for tasty bugs. They spend most of their time hiding in the bushes or on the ground, so getting a clear view with a nice background is challenging to say the least.

California Thrasher ~ Eaton Canyon, CA
The Tech: Canon 5D mkII, 500mm + 1.4x tc, monopod
Exposure: iso 400, f/5.6, 1/500th sec
Notes: I removed a twig (just one) that was roughly behind the birds head.

While not the most exciting of birds, the lighting and color contrasts made this one worth sharing for me.

Scrub Jay ~ Eaton Canyon, CA
The Tech: Canon 5D mkII, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/800th

Rufous-sided Towhee ~ Eaton Canyon, CA
The Tech: Canon 5D mkII, 500mm + 1.4x tc, monopod
Exposure: iso 1600, f/5.6, 1/250th

Alright, that’s it for now. For any of you local readers, I hope to see you at the reception on friday!

California Blooming

Sorry to all you folks that live in places where spring is still a few months away, but here in California it’s in full swing. Actually, it’s past full swing now, we’re steadily approaching summer! With all the glowing flower reports (for those unaware, check out this wildflower report site), I made sure to take a few days to go enjoy the blooms. This was my first year chasing the wildflowers in California, and while there’s still a few weeks left, I’m already looking forward to next year! The season is surprisingly short, and not always easy to predict when, where, and how good the blooms will be, so it’s always different and exciting. It depends on rain, micro-climates, snow levels, temperature changes, wildfires, etc… lots of variables come into place. I haven’t yet had a chance to make it out to the desert blooms, hopefully they’ll hold out for another week or two. I haven’t had a chance to update in a while, so there’s a lot of images in here (not all will end up/stay on the website, but I figured you’d like to see as many as possible) – I hope you enjoy some, if not all of them!

My first stop was in the California foothills, near Arvin, where the flowers were literally a carpet of color stretching out for miles. I found this spot after I’d passed through the fields of poppies and lupines, a few hundred feet higher – fields of blooming fiddlenecks (basically orange forget-me-nots). My goal was to capture the essence of a warm California afternoon in the blooming spring foothills, among the flowers, granite boulders, and Oak trees. A tall order you might say, but with a clear vision, research, preparation, and perseverance (well, this one was more luck when it came to the light), I think I managed to do just that.

“California Gold” ~ San Joaquin foothills, CA
The Tech: Canon 5DmkII, 16-35mm mkII @ 24mm, polarizer, tripod
Exposure: iso 200, f/16, 1/25th
Processing: a special recipe to bring out the ‘glow’ in the flowers and woods which doesn’t pass on through the camera.

That rock in the foreground actually had some pretty neat formations in it as well, so I made sure to get one of those as well.

“Blooming Granite” ~ San Joaquin foothills, CA
The Tech: Canon 5DmkII, 16-35mm mkII @ 17mm, polarizer, tripod
Exposure: iso 200, f/20, 1/8th
Processing: a special recipe to bring out the ‘glow’ in the flowers and woods which doesn’t pass on through the camera.

And lastly, as I was walking back to the car, this scene caught my attention with the perfectly arranged boulders, oak, scattered colors, and faint “path” leading through the meadow.

“California Spring” ~ San Joaquin foothills, CA
The Tech: Canon 5DmkII, 16-35mm mkII @ 23mm, polarizer, 2-stop hard GND, tripod
Exposure: iso 200, f/16, 1/5th

After this mini adventure, I met up with my dad at the Pinnacles National Monument, in hopes of catching some of the strange rock formations with the spring blooms. While we encountered patches of flowers here and there, nothing was truly spectacular. This is one of the few places (some of the others being Big Sur and the Vermilion Cliffs area in Arizona), where California Condors have been successfully re-introduced. So, when we went for our afternoon hike, I carried my 500mm f/4 and monopod at the ready, in addition to my landscape equipment. Of course, we didn’t see any, in fact, we hardly saw any birds at all. But just as we were heading down the slope I spotted a Red-tailed Hawk perched with a perfect lookout. While he was way too far away for a classic ‘portrait’ image, it was a perfect opportunity to portray this bird in its natural habitat – something to show the essence of what it must feel like to be a raptor like that.

Red-tailed Hawk ~ Pinnacles National Monument, CA
The Tech: Canon 5DmkII, 500mm f/4 + 1.4x tc, monopod
Exposure: iso 400, f/8, 1/250th

Meanwhile my dad reported to me that the flowers were going crazy out near their home in the foothills of the Sierras East of Fresno. I decided it was worth the 3 hour drive there and back (I had to be in San Jose the following day). But first I spent the morning looking for some more birds, and found this Palm Warbler singing his heart out.

Palm Warbler ~ Pinnacles National Monument, CA
The Tech: Canon 5DmkII, 500mm f/4 + 1.4x tc, monopod
Exposure: iso 1600, f/5.6, 1/320th

After some breakfast I headed out to the waiting flower displays, and was not disappointed. The trouble with the California foothills (and most places these days I guess, but particularly the California foothills) is that most of the land is privately owned ranch land, so access is difficult. While I was frustrated by the ever present barb wire fences blocking my access to some of the glowing orange hills, with enough exploring I still found a few scenes that struck my fancy. California poppies are frustrating to photograph, as they look their best at midday when they open their petals to the sun. Of course, light isn’t exactly ideal then – hence the frustration. In any case, I wanted to capture the incredible spread of color, so pulled off the side of the road and shot this scene at 1000mm – my 500mm lens with two 1.4x teleconverters attached. Upon returning home I discovered, to my dismay, that the image quality was absolutely atrocious, even for the shots where I only used one teleconverter! After some thinking, I realized, it wasn’t the glass, it was in fact the heatwaves that I was shooting through that created this blurry highly diffracted painting like quality. Well, I rolled with it to see where it would take me… it doesn’t work very well as a small web image, but the details and glow surrounding the poppies is really quite something at the full size and it could make for an interesting canvas print or something, we’ll see.

“Poppy Painting” ~ San Joaquin foothills, CA
The Tech: Canon 5DmkII, 500mm f/4 + two 1.4x tc’s, tripod
Exposure: iso 50, f/11, 1/40th (no, I don’t know why I used iso 50)
Note: see below for a close up.
Processing: I used a combination of sharpening and the same process to add some glow as I used more subtly in some of the other images. Here it might be a little strong for many people’s tastes, it really doesn’t work as well unless you see the whole thing, but I wanted to give a picture of the scale of the color out there!

Here’s a close up of the above image (100% crop if you click on the image). The strange distortions you see are the result of the heatwaves. I thought the Monet like impressions it left were rather intriguing.

Of course, as soon as the sun hides behind the hills the poppies go to sleep.

“Glowing Poppies” ~ San Joaquin foothills, CA
The Tech: Canon 5DmkII, 70-200mm @ 168mm, tripod
Exposure: iso 200, f/4, 1/200th
Processing: a special recipe to bring out the ‘glow’ in the flowers and woods which doesn’t pass on through the camera.

But the other flowers, I’m not sure on an ID for these unfortunately, continue to show themselves off in all their brilliance. Here’s another two that I think really show off the landscape: the fairy like flower speckled Oak woods.

“Fairy Woods” ~ San Joaquin foothills, CA
The Tech: Canon 5DmkII, 24-105mm @ 55mm, tripod
Exposure: iso 100, f/18, 0.3 sec
Processing: a special recipe to bring out the ‘glow’ in the flowers and woods which doesn’t pass on through the camera.

“Where Fairies Live” ~ San Joaquin foothills, CA
The Tech: Canon 5DmkII, 70-200mm @ 104mm, tripod
Exposure: iso 100, f/14, 0.4 sec
Processing: a special recipe to bring out the ‘glow’ in the flowers and woods which doesn’t pass on through the camera.

As the evening approached, I made my way back to a spot by the King’s river I had scouted out earlier. The hazy heat clouds had dissipated, the moon was new, and everything was set to create a lovely twilight star scene over this patio of round pebbles and lupines. I set up my camera and started the lengthy processing of capturing the essence of the ‘night’.

“Cosmic Patio” ~ Lupines in the King’s river canyon, CA
The Tech: Canon 5DmkII, 16-35mm mkII @ 23mm, tripod
Exposure 1: iso 400, f/16, 1.5 min (foreground/hills)
Exposure 2: iso 1600, f/16, 30 sec (sky, 30 min later)
Exposure 3: iso 3200, f/2.8, 15 sec (stars, another 30 min later)
Processing: Rather complicated… if you’re interested in the details stay tuned for an article coming out on NPN in May. I’ll try to post a link when the time comes around.

And since I know many folks have been missing the birds, here’s one more, nothing special… unless you’ve tried photographing bushtits before, and then you might say the fact that it actually stopped moving long enough for me to get a picture is pretty special!

Bushtit ~ Eaton Canyon, CA
The Tech: Canon 5DmkII, 500mm f/4 + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/250th

Well, that’s all for now.. thanks again for stopping and by, I hope you enjoyed the images. And thanks for the kind comments on my last posting – love hearing from you all!

Alone, and in Love

First – some exciting news! I’ve rearranged my print/pricing scheme in a way that should benefit everyone. So if you’ve been waiting to get a print to hang on your empty wall, check out the new and improved pricing scheme Now, on to the adventure:

Watching the sun rise from nearly two vertical miles above the desolate Death Valley on the only snow capped peak for hundreds of miles simply can’t be explained with a photograph. It’s an otherworldly feeling, looking down from Telescope Peak’s 11,043 feet all the way to Earth’s lowest point on land in North America: Badwater at -282 feet. Normally when you’re that high on a snowy mountain you can see other snowy ridges stretching out for miles. From Telescope Peak, however, you’re looking at the largest and most barren landscape in the US: salt flats, dunes, rocky canyons and ridges.

Now, how did I find myself there? Me and pro-landscape photographer Marc Adamus (Marc – you’re getting too much traffic, gotta upgrade that bandwidth limit!) started at the Charcoal Kilns in Death Valley and hiked/snowshoed our way up Telescope peak, gaining about 4,000 feet of elevation over the course of our 10 mile or so trek. We arrived about an hour before sunset and set up camp on the ridge below the summit. Camp consisted of Marc’s one man tent, and a trench I dug out to keep the wind away from my bivy sack. We were both a bit out of shape. Marc had just finished his longest stretch (5 weeks) of being cooped up at home in the past 15 years or something, awaiting the arrival of his new son Galen. Me, well, grad school tends to prevent too many of such excursions. In any case, we made it to the top in time.

Camp. Two miles above death valley (that’s the brown stuff down there), that’s Marc, his fortified one man tent, my trench, bivy, and shadow.

There wasn’t a single cloud in the sky, as you can see, which generally isn’t ideal for photography, so we each just took the time to explore the area around our camp a bit. The clear skies weren’t so much of an issue – the point of this adventure wasn’t necessarily photography, rather, it was to go for a great hike and take in the beautiful view. As the sun sank and shed it’s miraculous soft warm light on everything around, these trees suddenly caught my attention. Ignoring the chilling pain in my fingers I set up and captured these lonely lovers in the fading light.

“Alone, and in Love” ~ Limber pines on Telescope peak, Death Valley NP.
The Tech: Canon 5D2, 24-105 @ 55mm, tripod
Exposure: iso 100, f/14, 0.3 sec

Meanwhile Marc started on dinner. I love good food, but usually when I’m out backpacking I make do with something easy like ramen and couscous. Marc (having been to cullinary school), however, lives for the challenge of preparing something delicious in the face of extreme conditions – particularly wintery ones. So we enjoyed a pot of spicy shrimp gumbo with fresh broccoli and portobello mushrooms. He’s been known to carry in fresh oysters, king crab legs, and even an 8lb waffle iron! Of course the advantage of the winter months is that you can carry in fresh ingredients without fear of them going bad. That night I got to try out my new feathered friends -10 degree Wigeon sleeping bag, boy was it cozy! The following morning didn’t have any clouds in store for us, but after watching the sun rise, we finished the hike up to the summit of Telescope Peak. What a view from up there! I’m sure I’ll be back to photograph some of the bristlecones that can be found up here. On the way out I stumbled upon this small macro scene, but with the sunny conditions it wasn’t going to work. With the help of our two backpacks, one of my snowshoes, and Marc’s hands to hold it all in place I got enough shade to make the scene ’shootable’.

“Octopus” ~ Sage, Death Valley NP.
The Tech: Canon 5D2, 24-105 @ 32mm, handheld, 2 backpacks, 1 snowshoe, and Marc’s help (to provide shade)
Exposure: iso 400, f/10, 1/125th sec

While that was our Saturday and Sunday, the trip started out on Friday in Bishop around the Buttermilks. Marc showed me his favorite campsite and several areas with great potential. The sunset on friday was quite lovely, but sunset in the Eastern Sierras generally doesn’t provide too many opportunities with the big mountains being to the West of all the foregrounds, and the morning was of course completely clear. In any case, in the twilight light I wandered into this chaotic and jumbled aspen grove. This is perhaps one of the most underrated times of day for photography – excellent soft and cool lighting. Groves like this are notoriously difficult to shoot due to the chaotic distribution of trees and branches. And yet, my search was rewarded with this ghostly forest scene. Unfortunately on the web here you can’t appreciate all the lovely details and spiny plants there in the fore and mid-ground, but they’re there!

“Ghosts” ~ Winter aspen grove, Eastern Sierras, CA.
The Tech: Canon 5D2, 16-35mm mkII @ 28mm, polarizer, tripod
Exposure: iso 400, f/16, 30 sec

After our trip up into Telescope Peak we camped near the Alabama Hills, though sunset didn’t hold much in store for us. The following morning we revisited a spot we had stopped by previously on the way to Death Valley. The winter foliage of Owen’s Valley is very special to me – the colors are simply incredible, subtle but so beautiful. I had mentioned this to Marc before, and he took me to some of his favorite spots in the valley for the foliage. There’s so many possibilities here, I could spend days shooting this one little oasis! Unfortunately this morning the winds were blowing the grasses a bit – not enough to try some wind blown abstracts, but enough that I had to jump to iso 800 to freeze the long stems. Of course, with the 5DmkII that didn’t prove to be an issue, and there isn’t a spec of noise in the file. Again, there’s so many details lost in this representation, really a shame.

“Desert Colors” ~ Owen’s River foliage, CA.
The Tech: Canon 5D2, 70-200 @ 100mm, 2-stop hard GND, tripod
Exposure: iso 800, f/22, 1/20th sec

No trip comes without it’s adventure, and before we actually managed to shoot this scene we each had one. First, Marc proved to me that he could take his Subaru places that my Explorer didn’t really want to go. (or rather, he knew how to drive his Subaru places that I didn’t know how to drive my Exporer). Anyways, an hour of moving rocks and shoveling sand and everything ended well. The following morning we woke up an hour early (4:30am) because of the time change, but we ended up needing that time to jump start Marc’s car, which had mysteriously died overnight. It took almost half an hour to clean the contacts on his battery before we managed to get enough juice through. Might be those ocean waves that apparently hit his car a while back…

While every landscape photographer’s dream is to experience an incredible show of light every time they’re out, I learned on this trip that you can have an equally successful and enjoyable time under blue sunny skies. I started doing the whole photography thing because I loved being outside, but as I got more and more into it, the urge to ‘get the shot’ became stronger and stronger. Of course, the internet forum phenomenon doesn’t help this at all. The forums seem to to thrive on iconic scenes with wild light, with photographers each trying to outdo one another. This then breeds more photographers who do the same, and so on. Where is the creativity? Where is the adventure and exploration?! We need to break out of this rut, and each explore his or her own path! Well, you can expect me to continue exploring the world in new and fresh ways of seeing. Much like most of the folks on my ‘inspiration’ list on the right, I see my role as a nature photographer as one of discovery, creativity, and sharing – certainly not copying! This is also largely the reason I decided to change my print sales methodology, which should now make my work as openly available as possible.

Well, that brings us to the end of this adventure. I’ve got lots of Caltech related things to do over the next two weeks, but hopefully there will be a day or two that I can spend looking for birds and wildflowers. Till, next time!

“Beauty”

First, I have a quick request to make.. it’ll take about a minute of your time. I entered into some contest, where if I win I could get $50,000 to photograph a crazy idea I’ve had for a while. What do you need to do? Go here: crazy idea, read about my idea and if you choose to support it (I need to be in the top 20 to be considered) vote for me by hitting the yellow ‘pic it’ button. That’s it! Thanks!! And of course, if you want to be really helpful, send your friends over there too. I’m counting on your help for this, and should I win, you’ll get to hear all the stories first hand right here!

—————–

Since I don’t like spam, and I suppose you don’t either, here’s what you usually come here for: a combination of pretty photographs, adventures, and a few insights into photography. So, this past weekend I finally made it out to the glorious California coast. I must confess, I don’t like photographing the coast as much as many people seem to. The trouble is, you can’t just set up you composition, ponder it for an hour as the light changes, and finally, when everything’s right, trip the shutter. The tides change, waves are always moving, people get in the way, your gear gets wet, etc. Of course, that’s what makes it exciting too.. so I wouldn’t say I don’t have fun, it’s just not nearly as relaxing as a sunset in the mountains. Also, photos from the coast often end up being too stereotypical, they all end up looking the same in one way or another – after all, a large part of the picture is the ocean, and the other part is the sky. That of course means the success of the image will largely depend on the atmospheric conditions you find.

I’d heard about this somewhat secluded beach called El Matador some time ago (as secluded as a beach about 30 min from LA can be), and without looking at the tide charts or anything, my girlfriend Ali and I decided to just go out there and check it out. I did of course make sure it was going to be partly cloudy and during a change of weather systems: a recipe for potentially good light. But overall, contrary to my normal style where I’ve already got the image planned out, I just went and rolled with the waves.

“Ocean’s Sentinel” ~ El Matador Beach, CA
The Tech: Canon 5DII, 16-35mm mkII @ 16mm, tripod, polarizer, 3-stop ND, 2-stop hard GND
Exposure: iso 100, f/16, 13 sec
Note: When you combine lots of neutral density, the pinks and purples, particularly in the sky, really get enhanced. But often this results in the reds, like that on the sea stacks, to be too intense. I actually took a shot with and without all the neutral density and blended some natural color back into the sea stack to keep it just a little more natural looking.

It turned out the tide was low, which is usually a good thing when it comes to coastal photography. As the sun started to set, the tide slowly began to rise again, giving me exactly the kind of waves I wanted. The sun peaked out under some hazy clouds and produced a beautiful glow on the rocks scattered about the beach. Soon those hazy clouds started to catch the sunlight, and the magic started to happen. I’d already picked out a spot for this part of the evening’s show, so fortunately I could concentrate on that rather than run around trying to find something to go with the beautiful evolving colors!

“Salty Watercolors” ~ El Matador Beach, CA
The Tech: Canon 5DII, 16-35mm mkII @17mm, 2-stop hard GND, polarizer, tripod
Exposure 1: iso 200, f/16, 2.5 sec
Exposure 2: iso 200, f/16, 8 sec
Processing: I used the second exposure to bring some detail back into the dark sea stacks, while keeping them dark enough for the scene to stay realistic.

Given the success of this trip, I worked hard over the weekend to give myself enough time to get out once more. To give you some insight into where my interest in complex compositions and sensual abstract curves comes from.. here’s an example of what I do when I’m not out photographing (that would be being a grad student at Caltech). Here’s a movie of the ‘flow map’ of a time dependent pendulum. It’s rather complicated to explain, so to most of you it might just be a jumble of pretty swirling colors, which is fine, that’s kind of what it is. But among those colors are some really neat structures called Lagrangian Coherent Structures, which are important features in the ‘flow’. Essentially things that start inside the red shape stay inside, and things that start outside, stay outside as time evolves. If I’ve peaked your interest, and you’re brave enough to try to understand what I just said, you can take a look at this: LCS. Anyways, I successfully made the below movie, which meant I could get out to the beach once again.

Lagrangian Coherent Structures in a time dependent pendulum, pretty colors for most of you. I tried to embed a video, but it wouldn’t let me make it automatically repeat, and without that it doesn’t really work, but you can still see it here.

Rather than head to the same beach, I went to Corona del Mar this time, which is a little less secluded. In fact, there were tons of people, too many people really (especially for the 1st of March!). Anyways, after exploring the area I stumbled across some amazing rocks left out by the low tide. The light hazy cloud cover provided some lovely soft glow. Now, it might become clear why I like things like this given the movie you just saw above.

“Tidal Forms” ~ Rocks at Corona del Mar, CA
The Tech: Canon 5DII, 16-35mm mkII @ 35mm, polarizer, tripod
Exposure: iso 100, f/16, 1.6 sec

As the sun continued down the horizon, I found this neat little cove. It’s hard to find interesting mid-grounds along the coast here, compared to the giant tree studded sea stacks you can find along the Oregon and Washington coastlines. But, if you look hard enough, there’s some neat castle like formations. While the sunset wasn’t nearly as brilliant as the last one, I find the subtlety in the colors lets you appreciate and explore the interesting foreground more easily.

“Sea Castle” ~ Corona del Mar, CA
The Tech: Canon 5DII, 16-35mm mkII @ 20mm, polarizer, tripod
Exposure 1: iso 400, f/18, 20 sec
Exposure 2: iso 400, f/18, 3.2 sec
Processing: carefully blended the two exposures.

This last point, that about subtlety vs. amazing sunset colors brings up an interesting topic actually. One that I think deserves some thought. It seems that these days with the internet playing such a large role in image dissemination, certain types of images get more attention than others. The fast paced and small format of computer based viewing naturally favors simple compositions with vivid and brilliant colors – those are the images that grab you immediately and work at a small size. But what about 10 minutes later, or a few days later? Would you still be enthralled by something that relies solely on the magic of color? I would argue that you wouldn’t. It’s like candy – eye candy. You feed your eyes some sugar, they get all excited, but eventually they lose interest and move on to the next one. The images that will have a longer lasting impact, in my opinion, are those with more subtle features, complicated and thoughtful compositions (yet still approachable), images that make you think about something or take you to some other place or memory, or ones that evoke a strong emotion other than ‘wow!’. So this is a reminder to me, and to everyone else, to take the time to give these kinds of images the appreciation they deserve, albeit hard to do when we’re presented with such a tiny web format image. And above all, look for these scenes. They are much more difficult to photograph, yet the result, if successful, can be much more rewarding than a beautiful sunset over an iconic location. This doesn’t mean the two can’t be combined, but generally the colors will overpower the delicate details, which are then lost upon the viewer.

“Angry Sands” ~ Death Valley National Park, CA
The Tech: Canon 5DII, 16-35mm mkII @ 23mm, polarizer (for protection), tripod, lots of sand
Exposure: iso 800, f/16, 1/30th
Notes: This is from my trip to death valley last time, you may recognize it.. I decided it was worth working the image to get the full experience out of it.
Processing: I needed a lot of curves adjustments to pull this much texture out of the gray sky, but I find it gives the mood of what it was really like standing there getting pelted by sand. To increase the separation between sand and sky I also painted in some of the appropriate sand color into the blowing sand (the texture was there, the color had been washed out).

Here is an example of such an image, one I took back in December in Owen’s Valley during a snow storm. I did everything ‘wrong’ in taking this image from a technical standpoint, but it’s quickly growing on me, and I think I might soon hang it on my own wall. It doesn’t have the brilliant colors of a once in a lifetime sunset or sunrise, but there’s a deeper kind of beauty here, one that will have me continually exploring the image. Just something to think about as you view or take pictures.

“Cotton Dreams” ~ Cottonwoods in Owen’s Valley, CA
The Tech: Canon 5D, 24-105mm IS @ 105mm, handheld
Exposure: iso 3200, f/11, 1/60th
Notes: At the time I didn’t think this would really work out, otherwise I would have shot it on the tripod. I would have used the same exposure settings, however. I needed to freeze the snow to get the effect I was after, so light was a limiting factor. Given that the image is very flat and I exposed it all the way ‘to the right’, there is hardly any noise – I should be able to print this guy very big! Please click on the image to see a much bigger version to appreciate the details!

I know several of you will be unhappy that there are no birds here.. please blame that on the beautiful Cooper’s Hawk I ran into the other day, he just didn’t feel like sitting still. Or that little hummingbird… sometimes they just don’t cooperate, sorry!! Glad everyone seems to be enjoying these stories. If you ever have any questions or requests let me know! And if you got too excited to see the pictures and put off clicking the link to my crazy idea above, don’t forget to do that, thanks!!