Exciting News!

October 23, 2009

It’s been quite a while since I last updated – so sorry! The last few weeks have been incredibly busy, with all sorts of exciting things going on. First, I launched my new website, which you should take a look at if you haven’t already: Art in Nature Photography.

Second in exciting news is the announcement of the BBC Wildlife Photographer of the Year awards, where I was fortunate to have three of my images selected: “Life Among Giants” recieved runner-up in ‘Animals in their Environment’, “Frozen Paradise” was highly commended in ‘Wild Places’, and “The Spring Explosion” was highly commended in ‘In Praise of Plants’. You can see the full collection of winning images here: BBC Awards.

This competition is one of the most prestigious in nature photography, and this year they received 143,135 entries from 94 countries. I imagine it’s quite challenging to pick through all those photos! Needless to say, I’m incredibly excited about this. I’m currently in London, having just attended the magnificent awards ceremony next to the dinosaur in the Natural History Museum. The display is fantastic, and if you happen to be in London between now and next April, I highly recommend you see the exhibit. It is their single most popular annual exhibition (for good reason!).

Before leaving on my trip to London I did have a chance to go on a quick trip before the fall season was over, and headed up to Lake Tahoe to see the marvelous wonder of spawning Kokanee Salmon. These landlocked salmon are not native to California, but were introduced to Lake Tahoe in the 1940’s, and have flourished since. Every October 10’s of thousands of these beautiful fish make their way up Taylor Creek to spawn. The river is literally full of fish, it’s quite the spectacle!


“Salmon Spawning” ~ Lake Tahoe, California
The Tech: Canon 5D2, 100-400mm, polarizer, tripod
I don’t currently have access to the technical details

Unfortunately I am too busy to write up stories about the other images from the trip, though there isn’t much to tell. This year the aspens’ fall color all over the western US has been somewhat disappointing, though I had a chance to try a few creative experiments, which you can see on my website: recent photos.

Lastly I will be having a series of 7 images on display at the Brewed Awakening Cafe in Berkeley, CA throughout Nov and Dec. There is no official opening, but if you happen to be in the area during that time, please stop by and check it out! The coffee + pastries are great too! More details on my website: Show at Brewed Awakening.


A Granite Paradise

September 24, 2009

The thought of “paradise” usually conjures up warm sunny beaches, palm trees, lush green waterfalls, and tropical birds. But there is a certain beauty and purity that I find in the barren Sierra alpine zone that moves me more than the typical vacation destination. For me, the ability to see for miles and miles over empty rock piles, rugged peaks, and cold blue lakes brings with it a calming sense of freedom, awe, and inspiration. And yet I’ve found that capturing that depth with a two dimensional photograph is exceptionally challenging. Most mountain images I’ve seen and taken all “stop” at the mountains – be it a classic pointy peak, or a rugged range. When I think of the High Sierra, I think of miles of explorable terrain. Sitting on a cool chunk of granite I could spend hours roaming the landscape with my eyes, but the truly exciting part, is that I could (and do) then actually walk there (ok, perhaps scramble and climb sometimes).

This past weekend friend and photographer Steve Sieren and I made a quick trip up to the Sierra highcountry to experience, and photograph, just that. I wish we could have stayed for a week, but alas, one night was all we had. Before starting our trek we spent some time exploring the early signs of fall color near North Lake and Bishop Canyon, which has started at higher elevations (10,000 feet).


“Autumnal Grace” ~ Eastern Sierra, CA
The Tech: Canon 5D2, 24-105mm, tripod, ford explorer, headlamp
Exposure: iso 400, f/8, 25 sec
Notes: While the lighting may appear relatively natural, this was taken around midnight, using the high beams on my car (parked a hundred yards away), and a headlamp to ‘paint’ light on the tree. The distant and low angle of the car headlamps provided a uniform light, not unlike low angle sunlight. Meanwhile I used the headlamp to supplement the primary light to highlight certain portions of the tree, and provide some fill light to even out the shadows that I wanted to.


“Autumn Dancer” ~ Eastern Sierra, CA
The Tech: Canon 5D2, 24-105mm, tripod
Exposure: iso 100, f/16, 1.3 sec

Saturday morning we parked at the trailhead at 7,400 feet and started the long trek up into the barren high country of the John Muir Wilderness. On our way up several hikers coming down asked as, “you know how bad this trail is, right?”, “do you know what the word eternity means?” After 3 hours of non-stop switchbacks, we were finally over the first hump. Fortunately some clouds were brewing, meaning that we weren’t subjected to the hot Owen’s Valley sun all the way up. After passing two more lakes we left the trail and climbed the last 1,500 feet off trail over rough talus fields, until finally we arrived at our destination: the Royce Lakes Basin at 11,700 feet. What an incredible place! The giant blue lakes are surrounded by some of the most picturesque peaks in the Sierras, and an endless expanse of granite talus fields; alpine beauty at its finest. We set up camp and headed off to find spots to photograph at sunset. Mine involved another 700 foot climb, to just under where Feather Peak became worthy of some technical gear. On the steep granite slabs a plethora of water stains provided one of the most exciting mountain foregrounds I’ve ever had the opportunity to use. Meanwhile clouds were dancing over the two peaks, catching slowly evolving evening light. It wasn’t, however, until after sunset and the formation of the brilliant pink Earth Shadow, that the scene crystallized in my mind as one of the most beautiful mountain sights I’ve witnessed. If you look carefully, you can see the White Mountains (across Owen’s Valley to the East) between the two peaks and under the white cloud bank, 40 miles away as the Ptarmigan flies (there weren’t any crows around).


“Granite Paradise” ~ John Muir Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, 3-stop soft GND, tripod
Exposure: iso 100, f/13, 4 sec

The following morning we turned our eyes to the spectacular Merriam Peak, surely the granite diamond of the Sierras. The crystal clear skies and calm waters made for a memorable High Sierra morning. On the way back to the tent, a pair of Ptarmigans proved to be cooperative. There’s really nothing alive up there, other than some faded patches of grass, a few fish, and those birds. A rough life, but I can’t blame them for sticking it out up there – what more beautiful place to call home?!


“Sierra Diamond” ~ John Muir Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, 3-stop soft GND, tripod
Exposure: iso 200, f/14, 8 sec


“Ptarmigan” ~ John Muir Wilderness, CA
The Tech: Canon 5D2, 70-200mm, handheld
Exposure: iso 400, f/4, 1/400th sec


Death & Destruction

September 17, 2009

This past weekend I had the opportunity to explore the wreckage left behind by the raging Station Fire near Pasadena, mentioned in my previous posting. It was an incredible wasteland, depressing, yet somehow, from an artistic point of view, inspiring. It’s been several weeks now since an arsonist started the fire on August 26th. Now over 150,000 acres have burned, 80+ homes have been lost, 2 firefighters killed, and it’s cost over $88 million to fight. It’s still going. (91% contained). They’re offering a $150,000 reward for information leading to the conviction of the arsonist.

Everything is seared, dead, black, brown, and depressing. The forest remains smelled like a barbecue while I walked through 6+ inches of ash. During the course of the day I did see a few birds, which while heartening, was at the same time heartbreaking. An Anna’s Hummingbird came and inspected my red hat, twice; he didn’t look to be in very good shape, and there certainly weren’t any flowers around. It’s unlikely he, nor many of the escapees, will find enough food to survive. On my way home I heard some owls hooting and the crickets chirping.. in time, life will return.

While the fire danger is finally under control, the next worry on the plate is the mudslides. Without all that vegetation to hold the soil together anymore, when the winter rains finally come the mountains will fall apart, taking down all those homes the firefighters worked so hard to save. Those same rains, however, will also mark the beginning of the regrowth of the devastated lands. Wild fires are the way of life in Southern California’s chaparral landscapes. But, the fire management of the past decades has disrupted the natural cycle, allowing years of plant matter to build up until it all went up in flames at once. It will be interesting to see how the landscape heals; I plan to follow the progress as closely as I can.


“Choking on Ash” ~ San Gabriels, CA
The Tech: Canon 5D2, 16-353mm, tripod, SinghRay Vari ND filter, a handful of ash
Exposure: iso 100, f/16, 5 sec
Notes: I used the Vari ND filter to achieve a 5 sec exposure, during which I through a handful of ash into the scene to get across the choking and sickly feeling.


“Tortured Remains” ~ San Gabriels, CA
The Tech: Canon 5D2, 16-353mm, tripod, SinghRay Vari ND filter, a handful of ash
Exposure: iso 100, f/16, 15 sec
Notes: I used the Vari ND filter to achieve a 15 sec exposure, during which I through a handful of ash into the scene to get across the choking and sickly feeling.


“Beauty that Was” ~ San Gabriels, CA
The Tech: Canon 5D2, 16-353mm, tripod, 2-stop hard GND
Exposure: iso 200, f/14, 0.5 sec


“There Be Witches” ~ San Gabriels, CA
The Tech: Canon 5D2, 24-150mm, tripod
Exposure: iso 200, f/16, 30 sec


Surviving the Fires

September 7, 2009

For those of you who live under a rock, this may be news to you, but over the past week we’ve lost over 150,000 acres of the Angeles National Forest to a brush fire (arson). A week ago you could see flames roaring through the night a few miles up the hill from my house, and the air was certainly not pleasant to breath. You could see the pyrocumulus clouds from across the county in Long Beach! The firefighters have done a tremendous job in keeping the fire from claiming too many homes, as well as saving critical communications towers on Mt. Wilson – thank you to all who have helped!


“Station Fire” ~ Station Fire, Angeles National Forest
Taken from the 9th floor of the Caltech Library
The Tech: Canon 5D2, 500mm +1.4x tc, tripod
Exposure: iso 1600, f/5.6, 8 sec
Processing: 3 exposure panorama stitched with PTGui

We were fortunate that the Santa Ana Winds were not blowing, otherwise it would have been even more disastrous. It is, however, important to remember that Southern California’s ecosystem has evolved around wild fires. Many of the native plants require fires to reproduce. By artificially controlling them and preventing the fires from burning naturally on a regular basis we endanger some native plants, as well as creating a huge stockpile of dry fuel. When a fire finally does get started that unburned fuel leads to a much more devastating burn than would occur if there were regular but smaller burns. It’s a complicated balance that we clearly still don’t have right. In any case, there’s always upsides to large fires, so I’ll do my best to share some of those! All that ash in the air provided us with some wonderful sunsets along the coast, which was a refreshing change of temperature and air quality from downtown Pasadena last weekend. If we’re lucky the following two years will prove to be good years for all those wildflowers that have been waiting patiently for decades to finally get a chance to germinate.


“Tides of Color” ~ Laguna Beach, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure 1: iso 100, f/16, 8 sec
Exposure 2: iso 200, f/16, 2 sec
Processing: I used two exposures to blend for dynamic range, and a third exposure to help control the water flow on the left side of the image.


“Secrets of the Sea” ~ Laguna Beach, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure: iso 400, f/18, 20 sec

The following evening I returned to the beach, to breath some fresh air again, and to meet up with Steve Sieren and Eric Good. The extremely high tides and clear skies made photography more difficult, but exciting at the same time. Eric showed us this spot dubbed “The Pit of Death,” as one a separate occasion he saw an unfortunate photographer get taken by surprise and lose his whole bag of equipment to the “Pit”. Steve managed to lose something too…


“Fishing the Pit of Death” ~ Laguna Beach, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure: iso 400, f/14, 2 sec
Processing: Double processed raw file for highlights and shadows, and I brought some detail back into the right portion of the sky with a second, shorter exposure.

And on a completely unrelated note, I’ll share some images from this weekend – a return trip to Vasquez Rocks. The diversity of subjects is just wonderful! I’ve been enjoying some explorations in slightly different subjects and compositions than typical, I hope you like the results.


“Gin Stars” ~ Vasquez Rocks, CA
The Tech: Canon 5D2, 70-200mm, tripod
Exposure: iso 200, f/16, 1/30th
Notes: This is intentionally processed dark to bring out the Juniper berries, and to call on the metaphor of them looking like stars. The flavor in Gin comes from Juniper berries, hence the title.


“Conference of Corvids” ~ Vasquez Rocks, CA
The Tech: Canon 5D2, 100-400mm, tripod
Exposure: iso 100, f/14, 1/20th


“Twisted” ~ Vasquez Rocks, CA
The Tech: Canon 5D2, 100-400mm, tripod
Exposure: iso 200, f/14, 1/60th


“In Opposition” ~ Vasquez Rocks, CA
The Tech: Canon 5D2, 16-35mm, tripod
Exposure: iso 100, f/14, 1/8th


Vulcan Light

August 27, 2009

Every time I make a trip to the Eastern Sierra or Death Valley, I drive past this place, and every time I think to myself how incredibly bizarre the rocks are… well, I finally made a trip out to Planet Vulcan to go exploring. To us Earthlings it’s known as the Vasquez Rocks County Park, and it’s a favorite locale for Hollywood movie directors to shoot their alien scenes. I knew the large rock formations would have a lot of potential, but was pleasantly surprised by the depth and diversity of possibilities I found when a friend and I started looking further. Things are getting busy, and there wasn’t a whole lot of adventure involved here (just great times exploring!), so beyond a few announcements I’ll leave the pictures to speak for themselves. Thanks all for your kind words on my previous trip!

First, I want to thank those of you who managed to come out and see my show this past weekend, great meeting you! Unfortunately due to some rather poor planning, the show had to get canceled before the second weekend could happen (something about the building being demolished… which sort of made it hard to have an art show inside it, from a liability stand point).

Next, I’d like to announce a potential workshop I may lead this winter/spring. As many of you know, I love photographing in the twilight hour (see image below). The digital age has made things possible that one could never do with film (at least, not without a lot of tedious tricks). Since it’s a rather involved process that many people have expressed interest in, I am considering offering a workshop with fellow photographer Steve Sieren, who also has a passion for night photography and light painting. The details are still in the works, but the focus will be on teaching the art of night photography, including topics such as star trails, static stars, and light painting. We will cover everything from visualization through to field techniques, and on to processing. In addition to the technical aspects of night photography, we will discuss the more creative side of photography in general, to stimulate learning, experimentation, maximizing potential under any conditions, and the development of a personal style. The workshop will take place in Joshua Tree National Park, which has no shortage of otherworldly subjects, which combined with the dark skies and relative accessibility make this the perfect place for a weekend workshop on night photography. Tentative dates are in Jan/Feb. If you are interested in such a workshop, please let me know! Details to follow in the coming weeks.


“Vulcan Light” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 16-335mm mkII, tripod
Exposure 1 – foreground: iso 400 f/16, 30 sec (exposure reduced in ACR significantly)
Exposure 2 – sky no stars, 10 min later: iso 400, f/16, 30 sec
Exposure 3 – stars, another 40 min later: iso 1600, f/2.8, 30 sec
Notes: This is best viewed large, in a dark room, otherwise your monitor may not be able to compete with the ambient light in the darker portions of the image.
Processing: See my star trails tutorial. Or contact me about the workshop mentioned above!


“Petrified Pollock” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 24-105mm, tripod
Exposure (same for all panels): iso 100, f/16, 0.4 sec


“Engulfed in Flames” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 70-200mm, tripod
Exposure: iso 100, f/16, 1/50th


“Peach Pillows” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 24-105mm, tripod
Exposure: iso 100, f/16, 1/4th sec
Processing: I used a fair bit of saturation here, and a modified method of the orton effect to soften the highlights and enhance the soft cozy look of these forms.


Rocky Colorado

August 17, 2009

For those of you in the LA/Pasadena area, you’ll be excited to hear that I’m showing 10 pieces in an upcoming Art show in Pasadena featuring 30 artists (local and international). Below are some details, if you can make it out let me know – I’ll be around!


Show! Opening Reception:
Friday, August 21st, 6:30-11pm

Dates: August 21,22,28 & 29
Time: 6:30pm – 11pm

Location:
32 S. Raymond Avenue
Pasadena, CA 91106

ADMISSION IS FREE!

Alright, now on to some images… Finally! It’s been a while since my last post, but I’m glad so many of you enjoyed it – I really appreciate your kind comments. Given my lack of time this will be a rather brief post, but the images are always the most important part – and there’s plenty of those. Earlier this week I returned from a trip to Colorado, which was mostly for my ‘day job’, but I did squeeze in a few days to play in the mountains. Originally I had planned to do a 2-3 night backpack trip with Colorado friend and photographer Aleksandra Miesak, but due to unfortunate circumstances (ie. her twisted ankle), that didn’t quite work out. But, we still managed to have a fantastic time, and a productive one at that. The first evening we drove up to the summit of Mt. Evans – 14,264 ft high – yes, you can drive up to the top of a 14′er! On the way up we encountered a group of playful and cooperative mountain goats. The low angled sun and availability of dark backgrounds made it possible to try something inspired by one of my favorite wildlife photographers, Miguel Lasa.


“Running from the Dark” ~ Mountain Goats, Mt Evans, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 100, f/10, 1/400th sec
Notes: I purposefully underexposed the images from this series, and then in processing brought the exposure down even further, in addition to a significant boost in contrast. Since they were moving rather quickly, to get the right composition I had to stitch this image with another taken later in the sequence to add a little space on the right for balance.

Once the sun sank below the cliffs, we moved on to the summit. Incredible view from up there, yet none of the wide angle scenes completely caught my fancy. I ended up with these two images taken, again, with my telephoto. I believe you’ll see many of the images I brought home have a slightly different style than my last several posts. Perhaps it was Colorado, perhaps something else? Who knows. In any case, I hope you like the variations and experiments – let me know!


“Stone Spirit” ~ American Crow, Mt Evans, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 800, f/6.3, 1/1600


“Cradle the Moon” ~ From Mt. Evans, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 800, f/11, 1/1000
Notes: yes, I should have remember to stop down from iso 800, I could have shot this at iso 200 1/250th with less noise, oh well.

The following day I headed out to the Rawah Wilderness for a one night backpacking trip. It was great to spend some time in the Rockies, as I had never been there before. I find every mountain range has its own character, and the Rockies are certainly different from the Sierras. Once above tree line the peaks just roll from one to the next with surprisingly smooth and green transitions; very different from the rugged rock pile peaks of the Sierras you saw in my previous posts this summer. Anyways, after arriving at Island Lake I took a trip around most of the lake to do some scouting, and in addition to finding a lovely spot I returned to for sunrise, I ran into this cute little Pika.


“Pika(boo)” ~ Pika, Rawah Wilderness, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 800, f/5.6, 1/160
Processing: Double processed raw file to bring out the shadows and tame the highlights of the granite.


“Peace in Rawah” ~ Rawah Wilderness, CO
The Tech: Canon 5D2, 16-35mm mkII, tripod, 2-stop hard GND
Exposure: iso 100, f/16, 3.2 sec
Processing/Notes: With all the beautiful mountain sunrise/sunset images that get taken every day, it’s hard to make such a scene your own (even if it’s 8 miles from a remote trailhead in a seldom imaged wilderness). So, I like to have a little fun with such ‘classic’ scenes. In this instance I combined a little luck (ie. clouds) with some creativity both in compositional selection (I was particularly drawn to the diversity and balance of the foreground stones) with a few other things.. On the way over from my nearby camp I ran across this beautifully twisted log. It was loose, so I figured I’d bring it along in case I could use it in my comp – I think it added a further dimension to the image. As the sun slowly rose, the clouds peaked in their color and form a few minutes before the alpen glow hit the peaks. I took an exposure for the sky then, and another when the peaks began to glow. In processing I carefully balanced the two to where I found it looked natural, but with much more color and depth than either exposure would have given me. Had I not mentioned these two points, I doubt anyone would have called me on it, but I figured I’d share to promote honesty, discussion, and learning. Whether such creative latitude is for you or not, you can decide yourself, I personally find it allows much more opportunity for unique expression, and ends up being more fun for me. In the end, this was not all that far off from any single moment that happened, so I still believe it is an honest representation of the scene and experience.


“Alpine Rocket” ~ Rawah Wilderness, CO
The Tech: Canon 5D2, 24-105mm, tripod
Exposure: iso 100, f/13, 1/8th sec

The following morning we made a brief trip to Rocky Mountain National Park, leaving home at 3am to drive into the Rockies and hike 3 miles to Helene Lake before sunrise. We made it, just in time. Due to the light winds the reflection in the lake wasn’t particularly glassy, so I explored the area (hastily, as the sun was rising quickly!). These wind battered and tortured trees caught my interest, and lit up like gold in the early morning light.


“Naked in the Sun” ~ Rocky Mountain National Park, CO
The Tech: Canon 5D2, 16-35mm mkII, 2-stop hard GND, polarizer, tripod
Exposure: iso 100, f/14, 1.6 sec
Processing: I used a variety of exposures, one with the grad filter, another without and the same settings, another with drastically reduced exposure, and a fourth using my hat to block some of the flare. By combining them all in photoshop I was able to control the dynamic range as well as the flare, all with minimal suffering from motion artifacts in the moving trees.

And lastly, I’ll leave you an image taken on a day hike in the Mt. Zirkel Wilderness.


“Stony Valentine” ~ Mt. Zirkel Wilderness, CO
The Tech: Canon 5D2, 24-105mm, tripod
Exposure: iso 100, f/20, 1.3 sec


Epic Views, Epic Travels

July 26, 2009

First off, the 2010 calendars have arrived! They look spectacular, and no doubt would look fantastic on your wall all throughout next year. They’ll also make fantastic christmas presents, so be sure to get enough for you friends and family (and of course save on shipping cost per unit). And, the sooner you order, the sooner you can admire the wondrous images and read the little stories accompanying each month’s picture. You can see the details, and place your orders, on my website here: calendars!

Ok, now on to the epic story. You may recall I visited Minaret lake about three weeks ago, under some rather magical conditions. Well, this past weekend it was time to visit again – the general neighborhood at least, a rather more challenging view, however. A good friend of mine from my days at Cornell, Raghu, and I made a back country trek into some spectacular and remote terrain. We started off the trip with a night in the Bristlecone Pine Forest, for images as well as acclimatization (the ‘forest’ is at 10-11,000 feet). In my previous visits to this place I’ve managed to get images I was happy with of all the great trees I have thus far found. So, this time around we visited a rather famous tree in the Schulman Grove (all my other images are from the Patriarch Grove).

It’s important for every artist to evolve and grow, so occasionally I like to try something new. This trip one of my goals was to take some images featuring people as accenting elements, to help add meaning and tell a story. I suppose you could say the inspiration comes from Galen Rowell, who did a wonderful job of telling stories of outdoor adventure using human figures in his mountain landscapes. So I’ll start off with one I took of this tree, and Raghu in a state of awe and respect.


“Awe, and Respect” ~ Bristlecone Pine Forest, White Mountains, CA
The Tech: Canon 5D2, 100-400mm @ 250mm, tripod
Exposure 1: iso 800, f/11, 1/5th sec
Exposure 2: iso 800, f/11, 1.3 sec
Processing: two exposure blend for the sky and foreground. I used a higher iso to minimize motion blur of Raghu.
Note: If you prefer, I do have a person-less version as well, which you can see here.

As the night approached I searched for a unique angle on this tree that would take advantage of the wispy clouds, and of course some stars. As you’ve probably noted in some of my other images, these trees really have quite a bit of character, like petrified people stuck in twisted, menacing, or tortured poses. I guess that’s what happens when you’ve tried to survive the harsh White Mountain conditions for over 5,000 years. In the last year (it appears wind data has only been collected in the last year) the record was 162.4 mph, on December 19th 2008. While the Bristlecones aren’t quite brave enough to tough it out up on the summit, I imagine the winds on the ridge by Patriarch Grove are pretty high as well! Up close the wood almost looks like sandstone from the wind and sun blasting. Anyways, here’s the view of that wicked tree, conjuring up some spell in the early twilight.


“Wicked Witch of the West” ~ Bristlecone Pine Forest, White Mountains, CA
The Tech: Canon 5D2, 16-35mm mkII @ 29mm, tripod, LED headlamp
Exposure 1: iso 400, f/8, 30 sec (sky/natural light on tree)
Exposure 2: iso 800, f/8, 5 min (light painted with reflected LED lamp on tree)
Exposure 3: iso 800, f/8, 3 min (light painted with LED lamp on foreground)
Exposure 4: iso 1600, f/4, 20 sec (stars)
View this one large! (click on it). Of course, you should view all of them large!
Processing: As you can tell from the long list of exposures, this was a challenging and creative image. The best I can do to explain is to link to my article, though this was more of an art of blending and light painting. To achieve the soft and natural look of the light I combined exposures for natural twilight glow on the tree with ones where I used an LED headlamp reflected on the nearby ground to proved a soft illumination on the tree.

Like I mentioned, these trees can live for over 5,000 years, and if you are up to date on your biblical history (which I am not, but google is), then you’ll realize that the existence of these trees actually challenges Creationism. Apparently a satisfying counter theory to the tree’s age has yet to be fully formed and verified. Another interesting tidbit, one of scientific and artistic importance, is that while they are all the same species, Bristlecones in the White Mountains and other mountainous areas in the Great Basin show significant genetic variations. In fact, individual trees that might be right next to each other in the White’s can look very different, largely due to their genetic variations. So yes, being evil looking is an inherited genetic trait.

Having satisfied our need for wicked trees, we found a nice spot to camp outside the forest (you can’t actually camp among those trees, probably a good thing too). The following sunrise was rather beautiful, but we were watching it from our sleeping bags as we hadn’t found any other spots the evening before to take advantage of it. Plus, we had a long hike ahead of us, and likely would need all the time we could get! After watching the clouds dance in the light for a bit, we headed off to Mammoth. The first half of our trail was the same as I had hiked three weeks ago – nice, easy, and straightforward – you just follow the trail. Trails.. are a luxury. At 9120 feet elevation, we veered off to the north, our goal: the summit of the Volcanic Ridge. Supposedly there is a trail that goes up to Minaret mine, which is part way up, but that trail was pretty much obscured. We scouted the terrain by eye and map, and picked out what looked like a good direction to go in. After a few minutes of hiking we actually did run into the ‘trail’ – it was rather faint, and more like an ancient wagon trail than a footpath (which makes sense, seeing as it goes to a mine). Round about this point Raghu’s knee starts mysteriously hurting. I offer him my hiking poles, and he man’s up and decides it’s okay to push on… so on we go (later it turns out it was tendinitis.. that doesn’t sound like fun!). Once at the mine, we see the pass we need to climb.. it looks rather steep, but doable. Fortunately there’s a footpath that winds it’s way up the 40 degree slope. A hundred feet or so below the pass we found a nice flat spot to set up camp. It was pleasingly soft, a little grassy, and there was even water! Oh well, guess we carried those extra 8 pounds of water up that slope for nothing. This beautiful little alpine paradise was, of course, also a perfect environment for mosquitoes. And lo and behold, at 10,400 feet the mosquitoes were out for blood! But at least they were somewhat manageable here… more on that later.

The goal of this sort of crazy trip was to photograph the Minarets from the summit of the Volcanic Ridge, at sunrise. Given my experience of climbing a peak in the middle of the night last time (ie. we didn’t follow the right route), I decided it would be prudent to scout the route before dark. So after a quick rest, I made the scramble up to the top, carefully remembering my path. The last section involved some steep snow.. my hope was that it would remain soft enough to be safe to ascend in the pre-dawn with an ice axe, but no crampons (I didn’t have crampons with me). The snow had had plenty of time this summer to form some deep ’sun cups’ – dips in the snow caused by uneven melting. They provided a nice way up, like climbing a steep staircase. Still, if frozen solid, it would be a bit too scary without crampons. But boy, the view up there… I just had to be there for sunrise! Poor Raghu wouldn’t be able to make it with his knee, at least his consolation view wasn’t half bad – an excellent perspective on the imposing 13′ers Mt. Ritter and Banner peak.

At 3:45am the alarm went off, and in short order I was off, into the dark of the night. We were just a day or two away from new moon, so it was all headlamp and starlight for the next hour and a half. It had been a warm night… would the snow still be soft? At the first patch I anxiously tested the snow with my ice axe… soft as butter! (partially refrigerated butter that is.. ie. I could dig my feet in easily!) Overhead I could see quite a bit of clouds dancing around – just enough for a chance at a stunning sunrise… let me tell you, that’s a rare sight on a summer day in the Sierras! I made good time following my scouted route (I’d never have made it had I not hiked it previously), and by 5:15 I was on top. My, what an inspiring sight! And… there were perfectly formed clouds just above the peaks. I can’t describe how eager I was to see that sun to come up… and I had half an hour to anticipate it.. that was one long half hour. The first to catch light was the Sierra Wave hanging over the Owen’s Valley, lighting up like a giant carpet of fire. From my perch I could see as far as Mono Lake, the flashing light of the cell tower on Mammoth Mountain, and a sea of mountains to the South. Slowly but surely the sun crept up in the sky… would it light my clouds? Would the peaks get first light? Or would some stray cloud block the passage of the light? Well, these mountains must like me… as for the second time in less than a month I was treated to dreamlike conditions. To provide scale for the immensely grand and inspiring scene I scrambled into the picture and took this self portrait.


“The Range of Light” ~ Minarets, from the summit of Volcanic Ridge, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 17mm, tripod, 3-stop soft grad ND
Exposure: iso 200, f/14, 0.5 sec
View this one large! (click on it). Of course, you should view all of them large!
Notes: I took two exposures here, one for the scene with the grad filter, and then another where I set my timer remote on a 2 minute timer, scrambled over to pose in the picture and waited for the shot. Then I just blended me in to the properly exposed image for the rest of the scene. Again, a manless version is available.

What you see there are the imposing and rugged Minarets, the tallest of which is Clyde Minaret. Many, many feet below and on the right is Iceberg Lake, and partially obscured on the left is Cecil Lake. In addition to the beautiful light and rugged terrain, this is a nice example of a glacially carved valley – you can clearly see where long ago a giant chunk of ice carved out Iceberg Lake and the valley downstream. All that remains of that glacier now is a tiny patch of permanent snow and ice, and some seasonal icebergs in the lake.

I think generally the advice is to save the best for last, unfortunately it’s rather unlikely you’ll find that the images that follow will surpass the previous two. In fact, I’m not sure when I’ll be able to match up to either of them.. but life goes on, and in the chronological order of this story, we’ve still got some ways to go. A long ways down that is. Along the way back from the summit I stumbled upon a pair of White-tailed Ptarmigan, which I’ve never seen in the Sierra before. They were introduced in the early 1970’s, and apparently a few have managed to survive. I had only taken my ultra wide angle to the top, in order to save weight, so I took the opportunity to try to get an environmental portrait.. which proved to be rather challenging.


Ptarmigan ~ Volcanic Ridge, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 35mm, handheld
Exposure 1: iso 1600, f/16, 1/80th
Exposure 2: iso 1600, f/16, 1/250th
Processing: I aligned the two images and blended detail back into the sky from the darker exposure. I opted not to use a grad here as I already had my hands full with the camera!

The way down was, well, epic. We thought it was just going to be the stretch to a flat area we could see, and it looked tough, but doable. After scrambling on rocks and snow for two hours, we arrived at that flat spot. Neither of us got injured aside from some scratches and bruises, but we each took a slide on a rather steep patch of snow.. the ice axe came in handy there for a short but snowy and exciting self arrest (with a 65 lb pack). Don’t worry, we made sure the run out was safe! Anyways, after lunch we started the second leg, which turned out to be worse. 45+ degree slopes of loose rock and dirt, and for much of the way a snow melt stream proved to be the best grade, but of course that meant the rocks were wet. You can see the route on this google map – green was the way up, blue the summit pitch, and red the way down. Also, check out the view from the bottom (below the map), though the wide angle lens and the flatness from the 2D representation make it look a lot less scary than it was.


Map and route. Green was the way up, blue the summit pitch, and red the way down. The little tents indicate our two camps. Doesn’t look far, but boy that terrain was rough!


Route, as seen from below, this was the 2nd pitch.. it’s hard to see how awful it was from the photo.. but it was rough. Photo by Raghu.

Our prize for safely arriving at the bottom? Millions of mosquitoes. Yes…


Mozzies.. in each of the green circles you’ll find one. Evil little buggers. Photo by Raghu.

The meadow we ended up in was rather photogenic, enough so that we decided we would brave the mosquitoes. In truth they’d probably have been just as bad if not worse at Ediza Lake a little further down. That afternoon thunderstorm clouds roiled and toiled above giving us just a little sprinkle, though by sunset they had mostly cleared out to the east. Fortunately there was a nice spot to take advantage of the show.


“Newcomer on the Waterfront” ~ Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 35mm, tripod, 2-stop hard GND, polarizer
Exposure: iso 200, f/18, 6 sec

So far I’ve mostly shared ‘grand scenics’, with a few twists. But, one of the things I pride myself on is photographing a diverse range of work. So, when I saw this patch of grasses next to our camp (literally, we basically slept on the grasses next to this), I knew this would be a great opportunity for an intimate abstract. Nearby, within 10 feet or so, there were tons of little orange and brown pinecones.. now if only they were lying in my composition of the grasses! Well, that was pretty straightforward to fix: I collected a few handfuls and psuedo-randomly scattered them about, mimicking the patterns they had fallen in just a few feet away.


“Wild Zen Garden” ~ Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 35mm, polarizer, tripod
Exposure: iso 100, f/16, 1 sec

On our way out, we hiked past Shadow Lake, and this particular downed tree caught my eye. It’s a bit different from my usual, and unlikely something that most would hang on their walls, but I found it made for a thought provoking scene.


“Drowning Shadows” ~ Shadow Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 70-200mm @ 200mm, polarizer, tripod
Exposure: iso 100, f/11, 1/25th sec

And for good measure, just one more shot of the mosquitoes trying to get through my gloves. No, it wasn’t cold, the deet just wasn’t cutting it.


Gloves… and mosquitoes. Evil creatures.

And… last but not least, I thought I’d share this one, which is actually from my previous trip to Minaret Lake, but I hadn’t yet processed it at the time of my blog posting. This cute little marmot devilishly chewed up my hiking poles… the least I could do was get an environmental portrait of him at sunset to make up for the damages.


“Enjoy the View” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 31mm, tripod, 2-stop hard GND
Exposure: iso 400, f/16, 1/10th sec

I hope this gives you an idea what I go through to get these unique viewpoints, in truth.. I enjoy waking up hours before dawn and finding myself staring at some of the most incredible scenery and lighting on the planet. I do not, however, enjoy mosquitoes. But they are a necessary evil. The advantage for you is of course that you can have prints of these fantastic places hanging on your living room wall, and all you have to do is turn on the light and sit on the couch to experience it without the cold, effort, and blood sucking skeeters. Next up: Colorado high country, in the peak of mozzie season!


Greetings from 13.6k feet

July 7, 2009

This past weekend my friend Julia and I made a quick trip up into the High Sierra, and this time I do mean High! On Saturday we hiked to Meysan Lake from the trailhead on the Whitney Portal Rd, and set up camp above the lake around 11,500 feet. That 4.8 mile hike was way more exhausting than last weeks trek up to Minaret lake, likely due to the 4,000 foot elevation gain. Anyways, we got into camp, had dinner and admired the mountain we planned to climb the following morning. And by morning, I mean midnight. We went to bed at 7pm, and 5 hours later started the climb up to 13,770 foot Mt. Irvine, to catch the glorious high altitude view of the rugged and treeless Sierras at sunrise. There’s supposedly an easy way up to the top (no trails or cairns here!), but finding it in the middle of the night aided only by headlamps and a setting moon proved to be pretty challenging. At about 4:45am we found ourselves staring at a class 4/5 (meaning a rope would be nice) pile of rocks, which stopped our progress. Just about 100 feet above us was the summit, but the view from here was more than spectacular enough to make up for missing the top, after all, I just wanted a nice view! As the sun rose, we were in the middle of the gorgeous red alpine light I normally admire from thousands of feet lower.


“Alpine Light” ~ Mt. Whitney, from Mt. Irvine, CA
The Tech: Canon 5D2, 16-35mm mkII
Exposure: iso 100, f/20, 0.8 sec
Notes: you can see a self portrait of me up there too, right here.

Meanwhile poor Julia was experiencing a terrible altitude induced headache; so soon after the sun had come up we made our way down the mountain. Last time she came on a trip with me she got blasted with sand in Death Valley, both were great adventures though! After a brief nap, we continued on down to the car and into the 100+ degree heat of Owen’s Valley, a relief in terms of oxygen availability, but a rather unfortunate change in temperatures. This was my first real Sierra peak attempt, and given the rather incredible beauty, I’m pretty sure it won’t be the last.

In completely unrelated, but equally if not more exciting news, my 2010 calendars are scheduled to arrive before the end of the month, and you can now start placing your orders online through my website here: calendars!. Follow the link to see what it looks like, the print job turned out incredibly well, many thanks to my publisher Jerry Greer!


2010 Art in Nature Calendar’s are now for sale! Check out the design, and make your orders here!

And more exciting news.. in the coming months I’ll be busy working with some great web designers to set up a new professional website scheduled to launch somewhere around October. I’m sure you’ll enjoy the faster speeds, aesthetic design, and improved functionality. Around that same time I’ve got some other very exciting news to share, but don’t worry, there’s plenty of adventures schedule between now and then to keep you entertained.


Return to the Mountains

June 30, 2009

Spring has come and gone down here in the lowlands, and now it’s time for it to make it up to the High Sierra! This past week I had to be in Mammoth for research related activities (learning how to set up 3D high speed video systems to track hummingbirds). Conveniently, this lined up with two images I very much wanted to capture. On my way up I spent a night in the Bristlecone National Forest, taking in the sunset and sunrise from 11,300 feet. This place is simply incredible – a vast open and desolate landscape separating Nevada from the Owen’s Valley. To the East you see nothing.. just flatness, to the East, the 12,000+ foot peaks of the snow covered Sierra loom over the desert valley below. On my drive up I got my first flat in my car, but fortunately half an hour later I was back on track, and managed to catch the sunset at a tree I had scouted out two years ago. It was good to be back.


“Guardian Angel” ~ Bristlecone National Forest, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure: iso 100, f/16, 1/8th sec
Processing: This was deceptively simple – no need for multiple exposures or grad filters, despite shooting into the sunset. Using ACR’s fill light, and some curves layers with selective color masks on the blue sky to darken those areas I was able to control all the light.

It seems that nearly every image I have seen from here always focuses on the Bristlecones themselves, and with good reason – they are really incredible! There’s a personality about them that is truly expressive, and can be down right spooky. Here’s an old favorite from my 2007 trip that I recently reprocessed, I hope you don’t get any nightmares!


“Wretched” ~ Bristlecone National Forest, CA
The Tech: Canon 5D, 50mm f/1.8, handheld
Exposure: iso 100, f/16, 1/400th

Anyways, on that 2007 trip I found a viewpoint that would let me capture the true essence of this desolate place littered with tortured and dying trees: a sort of Pompeii of trees. Fortunately for them, they’ve at least got an incredible view, that of the Sierra Nevada. As the sun rose, the twisted trees turned blood red, further accentuating feeling of tortured death. To be fair, there are still some living trees up here, but I did my best to pick a spot where there’s hardly any (count ‘em: 4).


“The Graveyard” ~ Bristlecone National Forest, CA
The Tech: Canon 5D2, 500mm f/4, tripod + sidekick
Exposure: iso 100, f/18, 0.8 sec
Notes: This was shot as a panorama of 6 vertical images, and stitched using PTGui. You’ll want to view this one big! (click on it). The detail in this is stunning, as you can see the individual stones on the ground of that slope, probably about half a mile away! Of course for the complete effect you’ll have to clear out some space over your sofa and order a 20×40in print :)

A subtle point regarding this image is that I took it on the sunrise following the summer solstice – that means the sun was at it’s most northerly point in the sky that it will ever reach. This was important because most of the trees on that slope are actually close to the north face, so to catch them with the prime light this was the perfect time. It was also early enough in the year to catch the Sierras with plenty of snow (thanks to a good snow year!). The soft delicate pink light only lasted a few minutes – after that the sun had risen enough that it was already scorching this high desert. Time to head to the hummingbirds! After two days of ‘work’, I headed off for my next adventure, this time with friend and photographer Steve Sieren. I’ve been anticipating this trip for almost a year now – I wanted to catch the most dramatic peaks of the High Sierra, reflected in a still half frozen lake. The destination? Minaret Lake. With a stunning view of Clyde and the other Peaks of the Minarets this place looks like it’s right out of a Lord of the Rings fairytale. I had done my research, and this seemed like the ideal time to go, though when I picked up the permits the ranger said everything up there would be covered in snow still.. fortunately, I did not believe her. After an 8 mile hike Steve and I arrived at the perfectly half frozen Minaret Lake. This is a rare sight for a lake like this, and in its best state only lasts a week or so at most. That evening raging storm clouds formed over Mammoth, while we were still enjoying clear blue skies. There were even some special mammatus clouds that lit up like fire. There weren’t any great compositions looking that way, but you might recall I had a similar experience in Death Valley early this year. Right at sunset, however, the clouds approached our lake, and we were treated to an incredible display of oranges, pinks and reds. Meanwhile the few day old crescent moon was slowly descending in the sky. It wasn’t, however, until about 30 minutes after sunset that for me the real magic happened. Clouds in the Sierra are rare (at least, at sunset/sunrise!); clouds, lake ice, and uncannily positioned crescent moons are a thing of dreams. In this case, my dream was manifested in reality, I hope it speaks to you as it does to me.


“Kiss the Moon” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 2-stop hard GND
Exposure: iso 800, f/14, 6 sec
Processing: I took an additional exposure 2 stops longer to bring in better detail to the mountains without an increase in noise.
Notes: View this one big! (click on it, and turn out the lights for maximum experience)

That night the temperatures dropped under freezing, aligning billions of little water molecules into delicate icy structures, eagerly awaiting to be discovered the following morning. The clouds had completely disappeared, and as the sun cast it’s warm orange glow on the Minarets I decided focus on the icy abstracts at my feet. The snow had hardened quite a bit overnight as well; fortunately I had my crampons to let me get to the edge of the ice safely. What you see here is a section of frozen, thawed, and refrozen ice, catching bubbles and forming ice crystals that jutted out of the smooth surface. From just the right angle, these crystals caught the dawn glow of the Minarets, creating a truly surreal abstract.


“Ice FlambĂ©” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 70-200mm f/4, tripod
Exposure: iso 200, f/16, 1/8th
Processing: I took 5 exposures at different focus settings, and blended the exposures using Helicon Focus for maximum depth of field.
Notes: Definitely need to see this one big! (click on it)

That day I spent scouting around the lake for possible sunset and sunrise locations, and of course just enjoying the incredible mountain scenery. It was a truly refreshing place to be, frozen lakes, peaks that probably are a home to Dragons, and best of all, nearly completely devoid of people! I climbed up to Cecil Lake, off trail and above Minaret Lake to find it nearly completely frozen. The bowl the lake is in was covered in snow, and the 45 degree slopes were a bit much for me and my ice axe without worrying about going for a chilly swim. I’m sure I’ll be back, probably sooner rather than later! While the lake was still experiencing half winter, in the thawed out meadows around the lake spring has sprung. One of the most photogenic plants in the area are Corn Lilies, which when you catch them before the sun and insects wreak havoc on the fresh green textures, are pure photographic delight. The mosquitoes detracted a bit from the Zen like garden experience, but you probably aren’t being sucked dry of blood right now, so it’ll be a more pleasant experience for you!


“Corn Lilies” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, polarizer, tripod
Exposure: iso 100, f/16, 0.5 sec

That evening faint clouds appeared and turned a soft pink, however, I wasn’t quite satisfied with where they appeared or the quality of light they produced. The following sunrise I returned to a spot I found the previous day, and about 15 minutes before sunrise (~5:15am) there must have been some incredible stuff happening out in the Eastern skies, because the Minarets turned a soft reddish magenta.


“Minaret Morning” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 3-stop soft GND
Exposure: iso 400, f/14, 10 sec

I hope you enjoyed this taste of the mountains, and I hope to be able to share some more with you from future trips this summer!


Strijklicht

June 22, 2009

It’s been a while since my last posting.. I also haven’t had as much time for adventuring. I recently returned from a trip to the motherland – Nederland. Every year, or two years or so, I make the pilgrimage back to see the family, make grandmothers happy, etc. For those of you who weren’t aware or hadn’t guessed, I am 100% Dutch. We believe that there’s a distant relationship to the famous Dutch painter Peter Brueghel (the differences in spelling are consistent with changes in the language). Anyways, while most of my time was spent visiting relatives, racing through the countryside on trains, or eating Dutch delicacies like raw Herring, vlaamse friet (real fries, cooked with horse fat), and poffertjes (bite size pancake like things).. I did manage to sneak outside a few times. Now, the dutch landscape is not by any means dramatic or awe inspiring by most countries’ standards, but that didn’t stop me from finding some beautiful spots.

This first image is from the Schoorlse Duinen, which is near Bergen aan Zee. Translated that literally means “Mountains by the Sea”. So yes, the image below showcases the majestic and awe inspiring high mountain peaks of the Netherlands. Technically they are dunes, covered in vegetation of course. Photographing in the golden hour in a place like the Netherlands, which is at a much higher latitude than, say, Southern California, has it’s ups and downs. Sleep must be sacrificed – sunset is at 10:30pm and sunrise is at 5am or so, but the ‘golden hour’ lasts a lot longer than it does down here in California. I can only imagine what pain the poor Norwegians go through if they want to see sunset and sunrise on consecutive days.. Well, I set my alarm for 4am, saw that the clouds looked pretty promising, and headed out into the dunes. Generally it’s advisable to stay on the hard path when you’re biking.. apparently I made a wrong choice somewhere and ended up on a path that dwindled down to a sandy foot track. After a lot of exertion from pushing the bike through the loose sand, I found the path back (I didn’t want to turn around at this point!). As the sun rose and turned the thunder clouds pink I started searching for something.. anything! These tufts of grass on the top of a small hill caught my eye, and I got there just in time for the breaking sunlight.


“Strijklicht” ~ Schoorlse Duinen, the Netherlands
The Tech: Canon 5D2, 16-35mm mkII @ 27mm, tripod, 2-stop hard GND
Exposure: iso 100, f/16, 1/5th sec
Notes: It was constantly a little breezy, and having studied a number of moving grass photos, I came to the realization that for a scene like this, just enough motion to blur the blades was ideal. An overly long exposure renders the grasses as fluffy blurs that don’t have the same beautiful brush like impact that the grasses do in person. I found 1/5th sec was just right (I had a Singh-Ray Vari ND on hand in case I needed a longer exposure. Title explained lower down.

My next opportunity to escape was in Oisterwijk, my grandma’s town and my father’s hometown. My dad and I went for a bike ride through his childhood playground – the Oisterwijkse Vennen. The most promising spot I found was actually on the edge of the Kampina Hei, a large prairie like space. I spotted a stand of birches that I knew would catch some special light in the late evening.. so after dinner we returned to this scene. It’s rare to get real side light in a forest, since when the sun is that low there’s usually way too many trees in the way to let the light through. Since this relatively sparse grove was at the edge of a large flat open space it got soaked in golden light.


” ‘t Berkenbos (v)” ~ Kampina Hei, the Netherlands
The Tech: Canon 5D2, 24-105mm @ 35mm, tripod, polarizer
Exposure: iso 100, f/16, 0.8 sec
Processing: I had to double process the raw file to control the shadows and highlights in this one. Using the select color range tool and some gaussian blur it’s pretty easy to make the appropriate mask.


” ‘t Berkenbos (h)” ~ Kampina Hei, the Netherlands
The Tech: Canon 5D2, 24-105mm @ 55mm, tripod, polarizer
Exposure: iso 100, f/16, 0.6 sec
Processing: I had to double process the raw file to control the shadows and highlights in this one. Using the select color range tool and some gaussian blur it’s pretty easy to make the appropriate mask.

Normally I don’t like to have multiple copies of almost exactly the same scene, but I simply can’t choose between these two. I like the verticality and open feeling of the first, and the graphic abstract nature of the second. So, I’ll present both and you can take your pick, or not :)

Now, most of you probably still have no idea what the title, strijklicht means. The Dutch are much more advanced when it comes to terms for light, as the single word “strijklicht” means “warm, low-angled soft light” – ie. the light every photographer loves. I don’t know if it’s the digital revolution or what, but for some reason I see very few images these days that actually take advantage of this kind of light – it seems like it’s all about the pink and red sunset colors and completely diffuse lighting for forests and waterfalls. Granted, that kind of light is much easier to exposure for and process. A little bit of direct light, however, adds an incredible dimension of depth and life to an image. If you look at many of the famous old large format shooters, they used a lot more direct light than what I see being done digitally, while we have a distinct advantage in dynamic range over velvia now! So, I’ve decided that while it can be harder to find, more difficult to expose for, and sometimes less dramatically colorful than the pink colors, I’m going to make a concerted effort to continue looking for opportunities to photograph in this kind of light. As you hopefully saw in these images, it can turn rather ordinary and bland subjects into marvelous sights. It’s like putting a delicious jelly on a plain old piece of bread.