Vulcan Light

August 27, 2009

Every time I make a trip to the Eastern Sierra or Death Valley, I drive past this place, and every time I think to myself how incredibly bizarre the rocks are… well, I finally made a trip out to Planet Vulcan to go exploring. To us Earthlings it’s known as the Vasquez Rocks County Park, and it’s a favorite locale for Hollywood movie directors to shoot their alien scenes. I knew the large rock formations would have a lot of potential, but was pleasantly surprised by the depth and diversity of possibilities I found when a friend and I started looking further. Things are getting busy, and there wasn’t a whole lot of adventure involved here (just great times exploring!), so beyond a few announcements I’ll leave the pictures to speak for themselves. Thanks all for your kind words on my previous trip!

First, I want to thank those of you who managed to come out and see my show this past weekend, great meeting you! Unfortunately due to some rather poor planning, the show had to get canceled before the second weekend could happen (something about the building being demolished… which sort of made it hard to have an art show inside it, from a liability stand point).

Next, I’d like to announce a potential workshop I may lead this winter/spring. As many of you know, I love photographing in the twilight hour (see image below). The digital age has made things possible that one could never do with film (at least, not without a lot of tedious tricks). Since it’s a rather involved process that many people have expressed interest in, I am considering offering a workshop with fellow photographer Steve Sieren, who also has a passion for night photography and light painting. The details are still in the works, but the focus will be on teaching the art of night photography, including topics such as star trails, static stars, and light painting. We will cover everything from visualization through to field techniques, and on to processing. In addition to the technical aspects of night photography, we will discuss the more creative side of photography in general, to stimulate learning, experimentation, maximizing potential under any conditions, and the development of a personal style. The workshop will take place in Joshua Tree National Park, which has no shortage of otherworldly subjects, which combined with the dark skies and relative accessibility make this the perfect place for a weekend workshop on night photography. Tentative dates are in Jan/Feb. If you are interested in such a workshop, please let me know! Details to follow in the coming weeks.


“Vulcan Light” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 16-335mm mkII, tripod
Exposure 1 – foreground: iso 400 f/16, 30 sec (exposure reduced in ACR significantly)
Exposure 2 – sky no stars, 10 min later: iso 400, f/16, 30 sec
Exposure 3 – stars, another 40 min later: iso 1600, f/2.8, 30 sec
Notes: This is best viewed large, in a dark room, otherwise your monitor may not be able to compete with the ambient light in the darker portions of the image.
Processing: See my star trails tutorial. Or contact me about the workshop mentioned above!


“Petrified Pollock” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 24-105mm, tripod
Exposure (same for all panels): iso 100, f/16, 0.4 sec


“Engulfed in Flames” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 70-200mm, tripod
Exposure: iso 100, f/16, 1/50th


“Peach Pillows” ~ Vasquez Rocks County Park, CA
The Tech: Canon 5D2, 24-105mm, tripod
Exposure: iso 100, f/16, 1/4th sec
Processing: I used a fair bit of saturation here, and a modified method of the orton effect to soften the highlights and enhance the soft cozy look of these forms.


Rocky Colorado

August 17, 2009

For those of you in the LA/Pasadena area, you’ll be excited to hear that I’m showing 10 pieces in an upcoming Art show in Pasadena featuring 30 artists (local and international). Below are some details, if you can make it out let me know – I’ll be around!


Show! Opening Reception:
Friday, August 21st, 6:30-11pm

Dates: August 21,22,28 & 29
Time: 6:30pm – 11pm

Location:
32 S. Raymond Avenue
Pasadena, CA 91106

ADMISSION IS FREE!

Alright, now on to some images… Finally! It’s been a while since my last post, but I’m glad so many of you enjoyed it – I really appreciate your kind comments. Given my lack of time this will be a rather brief post, but the images are always the most important part – and there’s plenty of those. Earlier this week I returned from a trip to Colorado, which was mostly for my ‘day job’, but I did squeeze in a few days to play in the mountains. Originally I had planned to do a 2-3 night backpack trip with Colorado friend and photographer Aleksandra Miesak, but due to unfortunate circumstances (ie. her twisted ankle), that didn’t quite work out. But, we still managed to have a fantastic time, and a productive one at that. The first evening we drove up to the summit of Mt. Evans – 14,264 ft high – yes, you can drive up to the top of a 14′er! On the way up we encountered a group of playful and cooperative mountain goats. The low angled sun and availability of dark backgrounds made it possible to try something inspired by one of my favorite wildlife photographers, Miguel Lasa.


“Running from the Dark” ~ Mountain Goats, Mt Evans, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 100, f/10, 1/400th sec
Notes: I purposefully underexposed the images from this series, and then in processing brought the exposure down even further, in addition to a significant boost in contrast. Since they were moving rather quickly, to get the right composition I had to stitch this image with another taken later in the sequence to add a little space on the right for balance.

Once the sun sank below the cliffs, we moved on to the summit. Incredible view from up there, yet none of the wide angle scenes completely caught my fancy. I ended up with these two images taken, again, with my telephoto. I believe you’ll see many of the images I brought home have a slightly different style than my last several posts. Perhaps it was Colorado, perhaps something else? Who knows. In any case, I hope you like the variations and experiments – let me know!


“Stone Spirit” ~ American Crow, Mt Evans, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 800, f/6.3, 1/1600


“Cradle the Moon” ~ From Mt. Evans, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 800, f/11, 1/1000
Notes: yes, I should have remember to stop down from iso 800, I could have shot this at iso 200 1/250th with less noise, oh well.

The following day I headed out to the Rawah Wilderness for a one night backpacking trip. It was great to spend some time in the Rockies, as I had never been there before. I find every mountain range has its own character, and the Rockies are certainly different from the Sierras. Once above tree line the peaks just roll from one to the next with surprisingly smooth and green transitions; very different from the rugged rock pile peaks of the Sierras you saw in my previous posts this summer. Anyways, after arriving at Island Lake I took a trip around most of the lake to do some scouting, and in addition to finding a lovely spot I returned to for sunrise, I ran into this cute little Pika.


“Pika(boo)” ~ Pika, Rawah Wilderness, CO
The Tech: Canon 5D2, 100-400mm, handheld
Exposure: iso 800, f/5.6, 1/160
Processing: Double processed raw file to bring out the shadows and tame the highlights of the granite.


“Peace in Rawah” ~ Rawah Wilderness, CO
The Tech: Canon 5D2, 16-35mm mkII, tripod, 2-stop hard GND
Exposure: iso 100, f/16, 3.2 sec
Processing/Notes: With all the beautiful mountain sunrise/sunset images that get taken every day, it’s hard to make such a scene your own (even if it’s 8 miles from a remote trailhead in a seldom imaged wilderness). So, I like to have a little fun with such ‘classic’ scenes. In this instance I combined a little luck (ie. clouds) with some creativity both in compositional selection (I was particularly drawn to the diversity and balance of the foreground stones) with a few other things.. On the way over from my nearby camp I ran across this beautifully twisted log. It was loose, so I figured I’d bring it along in case I could use it in my comp – I think it added a further dimension to the image. As the sun slowly rose, the clouds peaked in their color and form a few minutes before the alpen glow hit the peaks. I took an exposure for the sky then, and another when the peaks began to glow. In processing I carefully balanced the two to where I found it looked natural, but with much more color and depth than either exposure would have given me. Had I not mentioned these two points, I doubt anyone would have called me on it, but I figured I’d share to promote honesty, discussion, and learning. Whether such creative latitude is for you or not, you can decide yourself, I personally find it allows much more opportunity for unique expression, and ends up being more fun for me. In the end, this was not all that far off from any single moment that happened, so I still believe it is an honest representation of the scene and experience.


“Alpine Rocket” ~ Rawah Wilderness, CO
The Tech: Canon 5D2, 24-105mm, tripod
Exposure: iso 100, f/13, 1/8th sec

The following morning we made a brief trip to Rocky Mountain National Park, leaving home at 3am to drive into the Rockies and hike 3 miles to Helene Lake before sunrise. We made it, just in time. Due to the light winds the reflection in the lake wasn’t particularly glassy, so I explored the area (hastily, as the sun was rising quickly!). These wind battered and tortured trees caught my interest, and lit up like gold in the early morning light.


“Naked in the Sun” ~ Rocky Mountain National Park, CO
The Tech: Canon 5D2, 16-35mm mkII, 2-stop hard GND, polarizer, tripod
Exposure: iso 100, f/14, 1.6 sec
Processing: I used a variety of exposures, one with the grad filter, another without and the same settings, another with drastically reduced exposure, and a fourth using my hat to block some of the flare. By combining them all in photoshop I was able to control the dynamic range as well as the flare, all with minimal suffering from motion artifacts in the moving trees.

And lastly, I’ll leave you an image taken on a day hike in the Mt. Zirkel Wilderness.


“Stony Valentine” ~ Mt. Zirkel Wilderness, CO
The Tech: Canon 5D2, 24-105mm, tripod
Exposure: iso 100, f/20, 1.3 sec


Epic Views, Epic Travels

July 26, 2009

First off, the 2010 calendars have arrived! They look spectacular, and no doubt would look fantastic on your wall all throughout next year. They’ll also make fantastic christmas presents, so be sure to get enough for you friends and family (and of course save on shipping cost per unit). And, the sooner you order, the sooner you can admire the wondrous images and read the little stories accompanying each month’s picture. You can see the details, and place your orders, on my website here: calendars!

Ok, now on to the epic story. You may recall I visited Minaret lake about three weeks ago, under some rather magical conditions. Well, this past weekend it was time to visit again – the general neighborhood at least, a rather more challenging view, however. A good friend of mine from my days at Cornell, Raghu, and I made a back country trek into some spectacular and remote terrain. We started off the trip with a night in the Bristlecone Pine Forest, for images as well as acclimatization (the ‘forest’ is at 10-11,000 feet). In my previous visits to this place I’ve managed to get images I was happy with of all the great trees I have thus far found. So, this time around we visited a rather famous tree in the Schulman Grove (all my other images are from the Patriarch Grove).

It’s important for every artist to evolve and grow, so occasionally I like to try something new. This trip one of my goals was to take some images featuring people as accenting elements, to help add meaning and tell a story. I suppose you could say the inspiration comes from Galen Rowell, who did a wonderful job of telling stories of outdoor adventure using human figures in his mountain landscapes. So I’ll start off with one I took of this tree, and Raghu in a state of awe and respect.


“Awe, and Respect” ~ Bristlecone Pine Forest, White Mountains, CA
The Tech: Canon 5D2, 100-400mm @ 250mm, tripod
Exposure 1: iso 800, f/11, 1/5th sec
Exposure 2: iso 800, f/11, 1.3 sec
Processing: two exposure blend for the sky and foreground. I used a higher iso to minimize motion blur of Raghu.
Note: If you prefer, I do have a person-less version as well, which you can see here.

As the night approached I searched for a unique angle on this tree that would take advantage of the wispy clouds, and of course some stars. As you’ve probably noted in some of my other images, these trees really have quite a bit of character, like petrified people stuck in twisted, menacing, or tortured poses. I guess that’s what happens when you’ve tried to survive the harsh White Mountain conditions for over 5,000 years. In the last year (it appears wind data has only been collected in the last year) the record was 162.4 mph, on December 19th 2008. While the Bristlecones aren’t quite brave enough to tough it out up on the summit, I imagine the winds on the ridge by Patriarch Grove are pretty high as well! Up close the wood almost looks like sandstone from the wind and sun blasting. Anyways, here’s the view of that wicked tree, conjuring up some spell in the early twilight.


“Wicked Witch of the West” ~ Bristlecone Pine Forest, White Mountains, CA
The Tech: Canon 5D2, 16-35mm mkII @ 29mm, tripod, LED headlamp
Exposure 1: iso 400, f/8, 30 sec (sky/natural light on tree)
Exposure 2: iso 800, f/8, 5 min (light painted with reflected LED lamp on tree)
Exposure 3: iso 800, f/8, 3 min (light painted with LED lamp on foreground)
Exposure 4: iso 1600, f/4, 20 sec (stars)
View this one large! (click on it). Of course, you should view all of them large!
Processing: As you can tell from the long list of exposures, this was a challenging and creative image. The best I can do to explain is to link to my article, though this was more of an art of blending and light painting. To achieve the soft and natural look of the light I combined exposures for natural twilight glow on the tree with ones where I used an LED headlamp reflected on the nearby ground to proved a soft illumination on the tree.

Like I mentioned, these trees can live for over 5,000 years, and if you are up to date on your biblical history (which I am not, but google is), then you’ll realize that the existence of these trees actually challenges Creationism. Apparently a satisfying counter theory to the tree’s age has yet to be fully formed and verified. Another interesting tidbit, one of scientific and artistic importance, is that while they are all the same species, Bristlecones in the White Mountains and other mountainous areas in the Great Basin show significant genetic variations. In fact, individual trees that might be right next to each other in the White’s can look very different, largely due to their genetic variations. So yes, being evil looking is an inherited genetic trait.

Having satisfied our need for wicked trees, we found a nice spot to camp outside the forest (you can’t actually camp among those trees, probably a good thing too). The following sunrise was rather beautiful, but we were watching it from our sleeping bags as we hadn’t found any other spots the evening before to take advantage of it. Plus, we had a long hike ahead of us, and likely would need all the time we could get! After watching the clouds dance in the light for a bit, we headed off to Mammoth. The first half of our trail was the same as I had hiked three weeks ago – nice, easy, and straightforward – you just follow the trail. Trails.. are a luxury. At 9120 feet elevation, we veered off to the north, our goal: the summit of the Volcanic Ridge. Supposedly there is a trail that goes up to Minaret mine, which is part way up, but that trail was pretty much obscured. We scouted the terrain by eye and map, and picked out what looked like a good direction to go in. After a few minutes of hiking we actually did run into the ‘trail’ – it was rather faint, and more like an ancient wagon trail than a footpath (which makes sense, seeing as it goes to a mine). Round about this point Raghu’s knee starts mysteriously hurting. I offer him my hiking poles, and he man’s up and decides it’s okay to push on… so on we go (later it turns out it was tendinitis.. that doesn’t sound like fun!). Once at the mine, we see the pass we need to climb.. it looks rather steep, but doable. Fortunately there’s a footpath that winds it’s way up the 40 degree slope. A hundred feet or so below the pass we found a nice flat spot to set up camp. It was pleasingly soft, a little grassy, and there was even water! Oh well, guess we carried those extra 8 pounds of water up that slope for nothing. This beautiful little alpine paradise was, of course, also a perfect environment for mosquitoes. And lo and behold, at 10,400 feet the mosquitoes were out for blood! But at least they were somewhat manageable here… more on that later.

The goal of this sort of crazy trip was to photograph the Minarets from the summit of the Volcanic Ridge, at sunrise. Given my experience of climbing a peak in the middle of the night last time (ie. we didn’t follow the right route), I decided it would be prudent to scout the route before dark. So after a quick rest, I made the scramble up to the top, carefully remembering my path. The last section involved some steep snow.. my hope was that it would remain soft enough to be safe to ascend in the pre-dawn with an ice axe, but no crampons (I didn’t have crampons with me). The snow had had plenty of time this summer to form some deep ’sun cups’ – dips in the snow caused by uneven melting. They provided a nice way up, like climbing a steep staircase. Still, if frozen solid, it would be a bit too scary without crampons. But boy, the view up there… I just had to be there for sunrise! Poor Raghu wouldn’t be able to make it with his knee, at least his consolation view wasn’t half bad – an excellent perspective on the imposing 13′ers Mt. Ritter and Banner peak.

At 3:45am the alarm went off, and in short order I was off, into the dark of the night. We were just a day or two away from new moon, so it was all headlamp and starlight for the next hour and a half. It had been a warm night… would the snow still be soft? At the first patch I anxiously tested the snow with my ice axe… soft as butter! (partially refrigerated butter that is.. ie. I could dig my feet in easily!) Overhead I could see quite a bit of clouds dancing around – just enough for a chance at a stunning sunrise… let me tell you, that’s a rare sight on a summer day in the Sierras! I made good time following my scouted route (I’d never have made it had I not hiked it previously), and by 5:15 I was on top. My, what an inspiring sight! And… there were perfectly formed clouds just above the peaks. I can’t describe how eager I was to see that sun to come up… and I had half an hour to anticipate it.. that was one long half hour. The first to catch light was the Sierra Wave hanging over the Owen’s Valley, lighting up like a giant carpet of fire. From my perch I could see as far as Mono Lake, the flashing light of the cell tower on Mammoth Mountain, and a sea of mountains to the South. Slowly but surely the sun crept up in the sky… would it light my clouds? Would the peaks get first light? Or would some stray cloud block the passage of the light? Well, these mountains must like me… as for the second time in less than a month I was treated to dreamlike conditions. To provide scale for the immensely grand and inspiring scene I scrambled into the picture and took this self portrait.


“The Range of Light” ~ Minarets, from the summit of Volcanic Ridge, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 17mm, tripod, 3-stop soft grad ND
Exposure: iso 200, f/14, 0.5 sec
View this one large! (click on it). Of course, you should view all of them large!
Notes: I took two exposures here, one for the scene with the grad filter, and then another where I set my timer remote on a 2 minute timer, scrambled over to pose in the picture and waited for the shot. Then I just blended me in to the properly exposed image for the rest of the scene. Again, a manless version is available.

What you see there are the imposing and rugged Minarets, the tallest of which is Clyde Minaret. Many, many feet below and on the right is Iceberg Lake, and partially obscured on the left is Cecil Lake. In addition to the beautiful light and rugged terrain, this is a nice example of a glacially carved valley – you can clearly see where long ago a giant chunk of ice carved out Iceberg Lake and the valley downstream. All that remains of that glacier now is a tiny patch of permanent snow and ice, and some seasonal icebergs in the lake.

I think generally the advice is to save the best for last, unfortunately it’s rather unlikely you’ll find that the images that follow will surpass the previous two. In fact, I’m not sure when I’ll be able to match up to either of them.. but life goes on, and in the chronological order of this story, we’ve still got some ways to go. A long ways down that is. Along the way back from the summit I stumbled upon a pair of White-tailed Ptarmigan, which I’ve never seen in the Sierra before. They were introduced in the early 1970’s, and apparently a few have managed to survive. I had only taken my ultra wide angle to the top, in order to save weight, so I took the opportunity to try to get an environmental portrait.. which proved to be rather challenging.


Ptarmigan ~ Volcanic Ridge, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 35mm, handheld
Exposure 1: iso 1600, f/16, 1/80th
Exposure 2: iso 1600, f/16, 1/250th
Processing: I aligned the two images and blended detail back into the sky from the darker exposure. I opted not to use a grad here as I already had my hands full with the camera!

The way down was, well, epic. We thought it was just going to be the stretch to a flat area we could see, and it looked tough, but doable. After scrambling on rocks and snow for two hours, we arrived at that flat spot. Neither of us got injured aside from some scratches and bruises, but we each took a slide on a rather steep patch of snow.. the ice axe came in handy there for a short but snowy and exciting self arrest (with a 65 lb pack). Don’t worry, we made sure the run out was safe! Anyways, after lunch we started the second leg, which turned out to be worse. 45+ degree slopes of loose rock and dirt, and for much of the way a snow melt stream proved to be the best grade, but of course that meant the rocks were wet. You can see the route on this google map – green was the way up, blue the summit pitch, and red the way down. Also, check out the view from the bottom (below the map), though the wide angle lens and the flatness from the 2D representation make it look a lot less scary than it was.


Map and route. Green was the way up, blue the summit pitch, and red the way down. The little tents indicate our two camps. Doesn’t look far, but boy that terrain was rough!


Route, as seen from below, this was the 2nd pitch.. it’s hard to see how awful it was from the photo.. but it was rough. Photo by Raghu.

Our prize for safely arriving at the bottom? Millions of mosquitoes. Yes…


Mozzies.. in each of the green circles you’ll find one. Evil little buggers. Photo by Raghu.

The meadow we ended up in was rather photogenic, enough so that we decided we would brave the mosquitoes. In truth they’d probably have been just as bad if not worse at Ediza Lake a little further down. That afternoon thunderstorm clouds roiled and toiled above giving us just a little sprinkle, though by sunset they had mostly cleared out to the east. Fortunately there was a nice spot to take advantage of the show.


“Newcomer on the Waterfront” ~ Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 35mm, tripod, 2-stop hard GND, polarizer
Exposure: iso 200, f/18, 6 sec

So far I’ve mostly shared ‘grand scenics’, with a few twists. But, one of the things I pride myself on is photographing a diverse range of work. So, when I saw this patch of grasses next to our camp (literally, we basically slept on the grasses next to this), I knew this would be a great opportunity for an intimate abstract. Nearby, within 10 feet or so, there were tons of little orange and brown pinecones.. now if only they were lying in my composition of the grasses! Well, that was pretty straightforward to fix: I collected a few handfuls and psuedo-randomly scattered them about, mimicking the patterns they had fallen in just a few feet away.


“Wild Zen Garden” ~ Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 35mm, polarizer, tripod
Exposure: iso 100, f/16, 1 sec

On our way out, we hiked past Shadow Lake, and this particular downed tree caught my eye. It’s a bit different from my usual, and unlikely something that most would hang on their walls, but I found it made for a thought provoking scene.


“Drowning Shadows” ~ Shadow Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 70-200mm @ 200mm, polarizer, tripod
Exposure: iso 100, f/11, 1/25th sec

And for good measure, just one more shot of the mosquitoes trying to get through my gloves. No, it wasn’t cold, the deet just wasn’t cutting it.


Gloves… and mosquitoes. Evil creatures.

And… last but not least, I thought I’d share this one, which is actually from my previous trip to Minaret Lake, but I hadn’t yet processed it at the time of my blog posting. This cute little marmot devilishly chewed up my hiking poles… the least I could do was get an environmental portrait of him at sunset to make up for the damages.


“Enjoy the View” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII @ 31mm, tripod, 2-stop hard GND
Exposure: iso 400, f/16, 1/10th sec

I hope this gives you an idea what I go through to get these unique viewpoints, in truth.. I enjoy waking up hours before dawn and finding myself staring at some of the most incredible scenery and lighting on the planet. I do not, however, enjoy mosquitoes. But they are a necessary evil. The advantage for you is of course that you can have prints of these fantastic places hanging on your living room wall, and all you have to do is turn on the light and sit on the couch to experience it without the cold, effort, and blood sucking skeeters. Next up: Colorado high country, in the peak of mozzie season!


Greetings from 13.6k feet

July 7, 2009

This past weekend my friend Julia and I made a quick trip up into the High Sierra, and this time I do mean High! On Saturday we hiked to Meysan Lake from the trailhead on the Whitney Portal Rd, and set up camp above the lake around 11,500 feet. That 4.8 mile hike was way more exhausting than last weeks trek up to Minaret lake, likely due to the 4,000 foot elevation gain. Anyways, we got into camp, had dinner and admired the mountain we planned to climb the following morning. And by morning, I mean midnight. We went to bed at 7pm, and 5 hours later started the climb up to 13,770 foot Mt. Irvine, to catch the glorious high altitude view of the rugged and treeless Sierras at sunrise. There’s supposedly an easy way up to the top (no trails or cairns here!), but finding it in the middle of the night aided only by headlamps and a setting moon proved to be pretty challenging. At about 4:45am we found ourselves staring at a class 4/5 (meaning a rope would be nice) pile of rocks, which stopped our progress. Just about 100 feet above us was the summit, but the view from here was more than spectacular enough to make up for missing the top, after all, I just wanted a nice view! As the sun rose, we were in the middle of the gorgeous red alpine light I normally admire from thousands of feet lower.


“Alpine Light” ~ Mt. Whitney, from Mt. Irvine, CA
The Tech: Canon 5D2, 16-35mm mkII
Exposure: iso 100, f/20, 0.8 sec
Notes: you can see a self portrait of me up there too, right here.

Meanwhile poor Julia was experiencing a terrible altitude induced headache; so soon after the sun had come up we made our way down the mountain. Last time she came on a trip with me she got blasted with sand in Death Valley, both were great adventures though! After a brief nap, we continued on down to the car and into the 100+ degree heat of Owen’s Valley, a relief in terms of oxygen availability, but a rather unfortunate change in temperatures. This was my first real Sierra peak attempt, and given the rather incredible beauty, I’m pretty sure it won’t be the last.

In completely unrelated, but equally if not more exciting news, my 2010 calendars are scheduled to arrive before the end of the month, and you can now start placing your orders online through my website here: calendars!. Follow the link to see what it looks like, the print job turned out incredibly well, many thanks to my publisher Jerry Greer!


2010 Art in Nature Calendar’s are now for sale! Check out the design, and make your orders here!

And more exciting news.. in the coming months I’ll be busy working with some great web designers to set up a new professional website scheduled to launch somewhere around October. I’m sure you’ll enjoy the faster speeds, aesthetic design, and improved functionality. Around that same time I’ve got some other very exciting news to share, but don’t worry, there’s plenty of adventures schedule between now and then to keep you entertained.


Return to the Mountains

June 30, 2009

Spring has come and gone down here in the lowlands, and now it’s time for it to make it up to the High Sierra! This past week I had to be in Mammoth for research related activities (learning how to set up 3D high speed video systems to track hummingbirds). Conveniently, this lined up with two images I very much wanted to capture. On my way up I spent a night in the Bristlecone National Forest, taking in the sunset and sunrise from 11,300 feet. This place is simply incredible – a vast open and desolate landscape separating Nevada from the Owen’s Valley. To the East you see nothing.. just flatness, to the East, the 12,000+ foot peaks of the snow covered Sierra loom over the desert valley below. On my drive up I got my first flat in my car, but fortunately half an hour later I was back on track, and managed to catch the sunset at a tree I had scouted out two years ago. It was good to be back.


“Guardian Angel” ~ Bristlecone National Forest, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure: iso 100, f/16, 1/8th sec
Processing: This was deceptively simple – no need for multiple exposures or grad filters, despite shooting into the sunset. Using ACR’s fill light, and some curves layers with selective color masks on the blue sky to darken those areas I was able to control all the light.

It seems that nearly every image I have seen from here always focuses on the Bristlecones themselves, and with good reason – they are really incredible! There’s a personality about them that is truly expressive, and can be down right spooky. Here’s an old favorite from my 2007 trip that I recently reprocessed, I hope you don’t get any nightmares!


“Wretched” ~ Bristlecone National Forest, CA
The Tech: Canon 5D, 50mm f/1.8, handheld
Exposure: iso 100, f/16, 1/400th

Anyways, on that 2007 trip I found a viewpoint that would let me capture the true essence of this desolate place littered with tortured and dying trees: a sort of Pompeii of trees. Fortunately for them, they’ve at least got an incredible view, that of the Sierra Nevada. As the sun rose, the twisted trees turned blood red, further accentuating feeling of tortured death. To be fair, there are still some living trees up here, but I did my best to pick a spot where there’s hardly any (count ‘em: 4).


“The Graveyard” ~ Bristlecone National Forest, CA
The Tech: Canon 5D2, 500mm f/4, tripod + sidekick
Exposure: iso 100, f/18, 0.8 sec
Notes: This was shot as a panorama of 6 vertical images, and stitched using PTGui. You’ll want to view this one big! (click on it). The detail in this is stunning, as you can see the individual stones on the ground of that slope, probably about half a mile away! Of course for the complete effect you’ll have to clear out some space over your sofa and order a 20×40in print :)

A subtle point regarding this image is that I took it on the sunrise following the summer solstice – that means the sun was at it’s most northerly point in the sky that it will ever reach. This was important because most of the trees on that slope are actually close to the north face, so to catch them with the prime light this was the perfect time. It was also early enough in the year to catch the Sierras with plenty of snow (thanks to a good snow year!). The soft delicate pink light only lasted a few minutes – after that the sun had risen enough that it was already scorching this high desert. Time to head to the hummingbirds! After two days of ‘work’, I headed off for my next adventure, this time with friend and photographer Steve Sieren. I’ve been anticipating this trip for almost a year now – I wanted to catch the most dramatic peaks of the High Sierra, reflected in a still half frozen lake. The destination? Minaret Lake. With a stunning view of Clyde and the other Peaks of the Minarets this place looks like it’s right out of a Lord of the Rings fairytale. I had done my research, and this seemed like the ideal time to go, though when I picked up the permits the ranger said everything up there would be covered in snow still.. fortunately, I did not believe her. After an 8 mile hike Steve and I arrived at the perfectly half frozen Minaret Lake. This is a rare sight for a lake like this, and in its best state only lasts a week or so at most. That evening raging storm clouds formed over Mammoth, while we were still enjoying clear blue skies. There were even some special mammatus clouds that lit up like fire. There weren’t any great compositions looking that way, but you might recall I had a similar experience in Death Valley early this year. Right at sunset, however, the clouds approached our lake, and we were treated to an incredible display of oranges, pinks and reds. Meanwhile the few day old crescent moon was slowly descending in the sky. It wasn’t, however, until about 30 minutes after sunset that for me the real magic happened. Clouds in the Sierra are rare (at least, at sunset/sunrise!); clouds, lake ice, and uncannily positioned crescent moons are a thing of dreams. In this case, my dream was manifested in reality, I hope it speaks to you as it does to me.


“Kiss the Moon” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 2-stop hard GND
Exposure: iso 800, f/14, 6 sec
Processing: I took an additional exposure 2 stops longer to bring in better detail to the mountains without an increase in noise.
Notes: View this one big! (click on it, and turn out the lights for maximum experience)

That night the temperatures dropped under freezing, aligning billions of little water molecules into delicate icy structures, eagerly awaiting to be discovered the following morning. The clouds had completely disappeared, and as the sun cast it’s warm orange glow on the Minarets I decided focus on the icy abstracts at my feet. The snow had hardened quite a bit overnight as well; fortunately I had my crampons to let me get to the edge of the ice safely. What you see here is a section of frozen, thawed, and refrozen ice, catching bubbles and forming ice crystals that jutted out of the smooth surface. From just the right angle, these crystals caught the dawn glow of the Minarets, creating a truly surreal abstract.


“Ice FlambĂ©” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 70-200mm f/4, tripod
Exposure: iso 200, f/16, 1/8th
Processing: I took 5 exposures at different focus settings, and blended the exposures using Helicon Focus for maximum depth of field.
Notes: Definitely need to see this one big! (click on it)

That day I spent scouting around the lake for possible sunset and sunrise locations, and of course just enjoying the incredible mountain scenery. It was a truly refreshing place to be, frozen lakes, peaks that probably are a home to Dragons, and best of all, nearly completely devoid of people! I climbed up to Cecil Lake, off trail and above Minaret Lake to find it nearly completely frozen. The bowl the lake is in was covered in snow, and the 45 degree slopes were a bit much for me and my ice axe without worrying about going for a chilly swim. I’m sure I’ll be back, probably sooner rather than later! While the lake was still experiencing half winter, in the thawed out meadows around the lake spring has sprung. One of the most photogenic plants in the area are Corn Lilies, which when you catch them before the sun and insects wreak havoc on the fresh green textures, are pure photographic delight. The mosquitoes detracted a bit from the Zen like garden experience, but you probably aren’t being sucked dry of blood right now, so it’ll be a more pleasant experience for you!


“Corn Lilies” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, polarizer, tripod
Exposure: iso 100, f/16, 0.5 sec

That evening faint clouds appeared and turned a soft pink, however, I wasn’t quite satisfied with where they appeared or the quality of light they produced. The following sunrise I returned to a spot I found the previous day, and about 15 minutes before sunrise (~5:15am) there must have been some incredible stuff happening out in the Eastern skies, because the Minarets turned a soft reddish magenta.


“Minaret Morning” ~ Minaret Lake, Ansel Adams Wilderness, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 3-stop soft GND
Exposure: iso 400, f/14, 10 sec

I hope you enjoyed this taste of the mountains, and I hope to be able to share some more with you from future trips this summer!


Strijklicht

June 22, 2009

It’s been a while since my last posting.. I also haven’t had as much time for adventuring. I recently returned from a trip to the motherland – Nederland. Every year, or two years or so, I make the pilgrimage back to see the family, make grandmothers happy, etc. For those of you who weren’t aware or hadn’t guessed, I am 100% Dutch. We believe that there’s a distant relationship to the famous Dutch painter Peter Brueghel (the differences in spelling are consistent with changes in the language). Anyways, while most of my time was spent visiting relatives, racing through the countryside on trains, or eating Dutch delicacies like raw Herring, vlaamse friet (real fries, cooked with horse fat), and poffertjes (bite size pancake like things).. I did manage to sneak outside a few times. Now, the dutch landscape is not by any means dramatic or awe inspiring by most countries’ standards, but that didn’t stop me from finding some beautiful spots.

This first image is from the Schoorlse Duinen, which is near Bergen aan Zee. Translated that literally means “Mountains by the Sea”. So yes, the image below showcases the majestic and awe inspiring high mountain peaks of the Netherlands. Technically they are dunes, covered in vegetation of course. Photographing in the golden hour in a place like the Netherlands, which is at a much higher latitude than, say, Southern California, has it’s ups and downs. Sleep must be sacrificed – sunset is at 10:30pm and sunrise is at 5am or so, but the ‘golden hour’ lasts a lot longer than it does down here in California. I can only imagine what pain the poor Norwegians go through if they want to see sunset and sunrise on consecutive days.. Well, I set my alarm for 4am, saw that the clouds looked pretty promising, and headed out into the dunes. Generally it’s advisable to stay on the hard path when you’re biking.. apparently I made a wrong choice somewhere and ended up on a path that dwindled down to a sandy foot track. After a lot of exertion from pushing the bike through the loose sand, I found the path back (I didn’t want to turn around at this point!). As the sun rose and turned the thunder clouds pink I started searching for something.. anything! These tufts of grass on the top of a small hill caught my eye, and I got there just in time for the breaking sunlight.


“Strijklicht” ~ Schoorlse Duinen, the Netherlands
The Tech: Canon 5D2, 16-35mm mkII @ 27mm, tripod, 2-stop hard GND
Exposure: iso 100, f/16, 1/5th sec
Notes: It was constantly a little breezy, and having studied a number of moving grass photos, I came to the realization that for a scene like this, just enough motion to blur the blades was ideal. An overly long exposure renders the grasses as fluffy blurs that don’t have the same beautiful brush like impact that the grasses do in person. I found 1/5th sec was just right (I had a Singh-Ray Vari ND on hand in case I needed a longer exposure. Title explained lower down.

My next opportunity to escape was in Oisterwijk, my grandma’s town and my father’s hometown. My dad and I went for a bike ride through his childhood playground – the Oisterwijkse Vennen. The most promising spot I found was actually on the edge of the Kampina Hei, a large prairie like space. I spotted a stand of birches that I knew would catch some special light in the late evening.. so after dinner we returned to this scene. It’s rare to get real side light in a forest, since when the sun is that low there’s usually way too many trees in the way to let the light through. Since this relatively sparse grove was at the edge of a large flat open space it got soaked in golden light.


” ‘t Berkenbos (v)” ~ Kampina Hei, the Netherlands
The Tech: Canon 5D2, 24-105mm @ 35mm, tripod, polarizer
Exposure: iso 100, f/16, 0.8 sec
Processing: I had to double process the raw file to control the shadows and highlights in this one. Using the select color range tool and some gaussian blur it’s pretty easy to make the appropriate mask.


” ‘t Berkenbos (h)” ~ Kampina Hei, the Netherlands
The Tech: Canon 5D2, 24-105mm @ 55mm, tripod, polarizer
Exposure: iso 100, f/16, 0.6 sec
Processing: I had to double process the raw file to control the shadows and highlights in this one. Using the select color range tool and some gaussian blur it’s pretty easy to make the appropriate mask.

Normally I don’t like to have multiple copies of almost exactly the same scene, but I simply can’t choose between these two. I like the verticality and open feeling of the first, and the graphic abstract nature of the second. So, I’ll present both and you can take your pick, or not :)

Now, most of you probably still have no idea what the title, strijklicht means. The Dutch are much more advanced when it comes to terms for light, as the single word “strijklicht” means “warm, low-angled soft light” – ie. the light every photographer loves. I don’t know if it’s the digital revolution or what, but for some reason I see very few images these days that actually take advantage of this kind of light – it seems like it’s all about the pink and red sunset colors and completely diffuse lighting for forests and waterfalls. Granted, that kind of light is much easier to exposure for and process. A little bit of direct light, however, adds an incredible dimension of depth and life to an image. If you look at many of the famous old large format shooters, they used a lot more direct light than what I see being done digitally, while we have a distinct advantage in dynamic range over velvia now! So, I’ve decided that while it can be harder to find, more difficult to expose for, and sometimes less dramatically colorful than the pink colors, I’m going to make a concerted effort to continue looking for opportunities to photograph in this kind of light. As you hopefully saw in these images, it can turn rather ordinary and bland subjects into marvelous sights. It’s like putting a delicious jelly on a plain old piece of bread.


Slide into the Wild

May 28, 2009

Last year I spent the last few days of May in Sequoia and King’s Canyon National Parks, taking in the magical beauty of the dogwood blooms among the majestic giants. It was such an incredible experience, that I had to go again. For those of you who may not have browsed through my website, or if you just need a reminder as to why this place is so magical, I thought I’d bring out my crown jewel from last year to start this off.


“Life Among Giants” ~ Sequoia National Park, CA
The Tech: Canon 5D, 17-40mm, tripod
Exposure: iso 100, f/16, 2.5 sec
Processing: I took an additional exposure at iso 800 and a faster shutter speed to make sure the deer came out sharp, and blended that in with the main exposure.

I’ve accepted that it’s rather unlikely I’ll ever top this image in the genre of wide angle forest scenes, so this time around I focused on some other concepts. Incidentally, it was rather interesting to me to note that the star dogwood in that shot had but a few blooms this year, same with the other dogwood I photographed last May. Overall the bloom this year wasn’t as spectacular as last year, but there’s always some trees that are putting on their best. The dogwoods, however, are just an accent to the real treasure here – the Giant Sequoias. To me, their most striking features are their commanding and majestic presence. While “Life Among Giants” shows the trees together as a forest in a very special way, my favorite part of hiking through the forests here is seeing lonely giants pop up in the midst of ‘lesser’ conifers. They emerge out of the greenery with their striking red and orange trunks, silent and powerful. You just have to stop and stare, no matter how many times you’ve seen it. So, my girlfriend Ali and I headed out to the parks, and spent our first day doing a few little day hikes. I found a few incredibly promising Lupine fields that I’ll hopefully be able to revisit once they bloom sometime this next month, but other little flowers were already out in force.


“Magic Carpet” ~ Sequoia National Park, CA
The Tech: Canon 5DII, 24-105mm, polarizer, tripod
Exposure: iso 200, f/22, 1/5th sec
Processing: I used an additional exposure at f/10 to bring a little blur into the background

For sunset we wandered through my favorite grove, where I took “Life of Giants” last year. I learned in making that image that a little bit of direct yet soft light makes a huge difference with the Sequoias – bringing out the color and depth that simply evaporates under more diffuse conditions (which are generally considered ideal photographic conditions for forests). So I spent the time actively searching for a combination of showy dogwoods and that special light. Eventually, I found it.


“Spring Snow” ~ Sequoia National Park, CA
The Tech: Canon 5DII, 70-200mm, tripod
Exposure: iso 200, f/5.6, 1/40th
Processing: Using some curves adjustments I was able to reduce the impact of some distracting branches, which dramatically improved the image.

The following morning, together with the 5:45am sunrise, I set out to find something new. I had a few hours before the sun would finally make it over the Sierra crest and into the west facing canyons, and I wanted to catch it right as that was happening. It wasn’t long before a Giant struck me in that majestic way I described. Wreathed in dogwoods, I knew it wouldn’t get better for this particular kind of image. I set up, and waited. An hour passed, and finally the first rays of light entered the scene, adding a subtle but delicate touch to the dogwoods.


Flowers for Giants II
The Tech: Canon 5DII, 70-200mm, polarizer, tripod
Exposure: iso 400, f/16, 0.6 sec
Notes: I shot this as a 2-shot panorama to retain maximum detail, I also took an additional image so that I can make a horizontal composition, but prefer the vertical. I needed the higher iso to freeze the light motion in the leaves and flowers.

I got back to the tent, woke up Ali and got ready for our short backpack (she lives on a 26 hour day, instead of the normal 24 that most of us do, which means she sleeps an extra 2 hours). One of the most magical Sequoia experiences I’ve found is that of Redwood Canyon. I have precious few (one to be exact) images from the canyon itself, though the ridge on the side was the site of my winter excursion in December. The canyon is just so dense that it’s nearly impossible to photograph, but it’s a superb place to experience. Our destination, however, was a bit further down from the Sequoias, a place called “Big Springs”. Along with the dogwoods, Sequoias, bears, etc., Redwood Canyon is home to one of the two largest caves in California – Lilburn Cave. It’s an actively researched cave (there’s a little hut that the scientists stay at for the summer) with about 25 miles of passageways. Once you get past the end of the Sequoias the creek sort of disappears into the ground, except for a few special re-appearances along the way with precious little waterfalls and pools. The forest turns into a rather dry and bland place compared to the previous mile and a half. Then, suddenly a stream emerges from the side of the canyon – Big Springs. I’m not talking about a little seeping spring, no, this is a real creek, I’m actually tempted to call it a river. The icy cold water rushes past moss covered boulders, and from then on the canyon takes on a new form – clearly carved by a faster and bigger flow than higher up, and the greenery erupts as if you were in the Colombia River Gorge, while only 100 yards away is a dry oak scrub forest. I gave in to the urge to explore, and once the trail ended, the fun began: this was true wilderness.


“Summer Stream” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 400, f/16, 0.6 sec


“Verdant Wilderness” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 400, f/16, 2.5 sec
Processing: I took this as a 4-shot panorama at 17mm (vertical orientation), since I didn’t have a lens wide enough. Fortunately the water foreground made stitching it rather simple (using PTGui). I also took a second exposure for each image at iso 1600 and 0.6 sec to bring in more water detail. PTGui makes it easy to stitch two sets of images with the same parameters, so a blend like this is relatively straightforward.

I skirted my way along the edge of the now steep canyon walls, and past a 10 ft deep crystal clear aqua colored pool (the stream almost had a glacial like style to it, emerging from deep underground has that effect I suppose). At the base of the pool was a slide that gently guided water along mossy banks to the next stage of the river, and, apparently, an American Dipper nest. They were certainly surprised to see me there – I doubt this stretch of stream sees more than a handful of people every year. In fact, I saw at least two pairs of dippers along this section of the canyon.


“Slide into the Wild” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 100, f/16, 8 sec
Processing: I took an additional exposure at iso 3200 and 1/13th sec to blend in some more water detail. Unfortunately the small web jpeg is hiding much of that – you can get a better idea for the details from this crop.

Soon after (before it got dark!) I had to head back to camp, where Ali was studying physics flash cards for the MCAT’s. I think I was having more fun! She didn’t have it all that bad though, we couldn’t have found a more idyllic spot to pitch the tent.


“In Paradise” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 16-35mm mkII, polarizer, tripod
Exposure: iso 1600, f/18, 0.5 sec
Notes: Live view was particularly useful here for optimizing the focus and aperture settings – those flowers were but a few inches from the camera, and yet I was just able to get everything in focus. The high iso was of course to freeze our inevitable movements.

We weren’t the only ones that found this canyon a special place – thousands upon thousands of ladybugs thought so too. Apparently there are some species that spend the winter hibernating in these large masses in the mountains, and we happened to be by one of their favorite spots.


“Woodland Ladies” ~ King’s Canyon National Park, CA
The Tech: Canon 5DII, 24-105mm. polarizer, tripod
Exposure: iso 1600, f/16, 0.6 sec
Notes: I needed the high iso to freeze the movement of the bugs – some of them were squirming around and crawling on the others. As you might have noticed, the high iso capabilities of these modern digital cameras are opening up so many amazing opportunities!

Well, I hope you enjoyed the vicarious experience of our wilderness adventure, be sure and get out to some fresh air yourself if you haven’t recently. I hear it’s good for the brain too!


Under Bluebird Skies

May 20, 2009

As a resident of Southern California, I spend most of my days under the brilliantly hot sun, and skies without a cloud in sight. These conditions are the bane of most photographers’ existence, but I’ve learned to take advantage of these times to do some of my most creative work. This past weekend I went out to the Alabama Hills and the surrounding area with another SoCal photographer Ben Glatt. The first morning we spent exploring some bizarre water eroded Basalt formations south of Owen’s Lake in an area called Fossil Falls. The formations reminded me of images I’ve seen from the Tepuis in Venezuela, only much smaller in scale. The ‘falls’ start suddenly – the desert wash gives way to a patio of basalt, which quickly drops off into a deep gorge of black rock – a popular destination for climbers. In the predawn light I discovered this lonely flower, a Sacred Datura (Solanaceae family), which had found a sheltered spot in one of the many potholes of the basalt maze. The Datura flowers at night, as it is pollinated by nocturnal creatures like hawk moths, so be being here in the early morning hours I was fortunate to catch it at full bloom. A perhaps more interesting fact about this flower is it’s strong hallucinogenic properties – make a tea from this plant and you’ll be seeing more visions than you would on peyote or LSD. Unfortunately, those visions can have a lasting impression on your day to day experiences, and it’s quite possible you’ll become permanently psychotic. Unless of course you have some Native American contacts who can tell you at what time of year and moon cycle you should pick the plants, and how to prepare them to minimize the highly toxic effects. If you managed to do that, you could be communicating with the birds, find your totem animal, and awaken supernormal perceptual states that you never knew existed.. but I leave you with words of caution. After all, I certainly didn’t taste it, and still managed to see some pretty weird stuff!


“Karma?” ~ Owen’s Valley, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, polarizer
Exposure: iso 200, f/16, 1/13th sec

As the sun slowly crept up in the sky, and illuminated the mountains with a warm glow, I started thinking about the next scene. I had already imagined this one before arriving at the falls. I wanted a low key (dark) image, with just subtle tonal and color variations, but I knew there had to be a special touch to make it stand out. That special touch, as many photographers know, is a hint of light. I knew I’d only have a few minutes when that sun hit the basalt. By sheer luck the light first struck the most prominent feature in my favored predawn composition, adding the depth it needed.


“A Light in the Dark” ~ Owen’s Valley, CA
The Tech: Canon 5D2, 70-200mm, tripod, slight crop
Exposure: iso 200, f/18, 0.3 sec

While you won’t get a marvelous sunrise or sunset when there’s no clouds out, there are some things that are certain: the sun will rise, it will set, and the stars will come out. Less reliable things (depending on your preparedness) include the moon, and the degree to which the ‘earth shadow’ will be exciting. Occasionally you can get sufficient color in the sky simply from the dust in the air and the physics of light. But if it’s not your lucky day, you can still use the light to your advantage on exciting detail oriented images, using the low angle sun like a giant studio light (well, with less control). What happens after the sun has risen can be trickier. If you’re in a place like Utah, that’s when the fun begins – many of the narrow canyons are at their best at some point during the middle of the day. The best plan of attack is to have a plan set in place for sunny days like this, and know where you can find canyon like features which will come alive with reflected light. Another option is to use an umbrella or other method of creating shade, which will let you work on detail images throughout the heat of the day. Lastly, the middle of a sunny day is a fantastic time to go for hike, and explore to find new and exciting places you can return to when the light is right. For example, during the rest of the day, while exploring the Alabama Hills I found these rather sensual boulders. I returned at sunset to catch a brilliant sun star, adding plenty of drama without a cloud in sight (those insignificant puffs don’t count).


“Lady of the Sun” ~ Alabama Hills, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 3-stop reverse GND, fingers
Exposure 1: iso 100, f/22, 1/60th (with GND)
Exposure 2: iso 100, f/22, 1/20th (without GND)
Exposure 3: iso 100, f/22, 1/20th (with pinky finger)
Exposure 4: iso 100, f/22, 1/20th (with two fingers)
Processing: I used the first two exposures to control the extreme dynamic range, and the second two exposures to eliminate the horrible flare spots created by shooting directly into the sun.

The following day I needed to pass the time until about 3pm, when I wanted to photograph this composition I had stumbled upon the previous day, but this time under better light. To pass the time I continued exploring the area, and now have several more exciting places to photograph next time I come out here. At one point, on my way to check out the light around noon, I heard an owl hoot. In my countless years of camping I’ve heard many owls, found many feathers and pellets, but I’ve only seen a handful of actual owls. I’m not counting the owls that I knew about before hand, which account for my entire owl collection up until now. Well, I figured this was a good time to try my Great Horned Owl hoot – and he responded! And proceeded to fly out of hiding to check me out! I quickly grabbed my big lens (which I thankfully had with me), and scrambled up some (car sized) boulders. There he was, blending in with the stone in the reflected light, checking out what it was I was doing with such an odd contraption.


Great Horned Owl ~ Alabama Hills, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/8, 1/640th sec
Notes: Due to the extreme heat, and thus heat waves, I needed a fast exposure and smaller aperture to squeeze as much detail as possible out of this shot. Fortunately with the 5D2 using iso 800 is not a compromise in quality.

A few hours later I wriggled my way into the narrow slot I’d been waiting to shoot, and further proceeded to wedge myself 4 feet off the canyon floor. After some careful tuning of my tripod position, everything was just right.. except my foot was in the picture.. at this point I shifted my weight to one hand and some odd combination of wedged feet, and ankle and thigh forces, and got the disorienting image you see here. What treasure lies under those stones? I’m not sure, but I did find a Great Horned Owl feather in here!


“X Marks the Spot” ~ Alabama Hills, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod
Exposure: iso 200, f/22, 10 sec
Notes: In addition to the single f/22 exposure, I took a stack at f/16, which when I will at some point in the future use to get some better detail out of the image.

Well, I hope this was enough to convince you that even on a sunny day with nothing but blue skies you can not only enjoy nature, but you can even do exciting photography! So don’t let yourself be chained to the air conditioned comfort of your home or car.. this lady sure didn’t, or at least, she didn’t let it stop her!


“On the Way to Mt. Whitney” ~ Whitney Portal Rd, Lone Pine, CA
The Tech: Canon 5D2, 70-200mm, handheld
Exposure: iso 400, f/8, 1/1250th


The Twilight

May 14, 2009

This is just a short note, no new images unfortunately, but I said I’d let you all know when I’d written up my article on photographing the twilight, as well as star trails. So if you’re curious, it’s up on the Nature Photographers Network here: The Twilight Hour. You’ll find in depth instructions, comments, images, inspiration, etc.. everything you should need to start photographing one of the most magical and overlooked times of day!


“The Twilight Blues” ~ Mt. Rainier National Park, WA
Techs and processing: check out the article!

Also up recently is an article of mine on the Singh-Ray filters blog, if you’re interested in learning more about how to use graduated neutral density filters, polarizers, and other fancier toys, it’s definitely worth checking out. Here’s a link to my article.


A Weekend for the Birds

May 5, 2009

While most of America is still in the full throws of spring (or at least the beginnings of it I hope), in Southern California, we’re quickly progressing into summer. Many of the flowers have finished putting on their show, the rolling green hills are starting to turn gold, and the migratory birds are beginning their trek up north, stopping by various Southern California destinations on the way.

Earlier this week I made a quick trip to the Tehachapi Mountains, and found a lovely spot to catch the sunrise thanks to a tip from a local, and some exploring on Google Earth. After a three hour nap, I got up at 5am to find my spot, and was treated to a delicate, fickle, but soothing sunrise. When I stare at a scene like this I just feel at peace, filled with the freedom and solitude to just roam. Ironically, however, that freedom can only be enjoyed visually: these hills, and nearly all of them like this, are laced with barb wire fences to keep the cattle in check. You will of course want to see this one bigger – click on it to see the details!


“Freedom of the Hills” ~ Tehachapi Mountains, CA
The Tech: Canon 5D2, 16-35mm mkII, tripod, 2-stop hard GND
Exposure: iso 200, f/14, 1/8th sec
Notes: I shot this as a 3 exposure panorama, and stitched the files in PTGui.

So, now that you’ve seen the state of the season in Southern California, we can move on to the birds. At Eaton Canyon they are hard at work, collecting food for their young ones, and singing their little hearts out.


California Towhee ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/8, 1/125th sec


Spotted Towhee ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/125th sec

For those bird fans out there, this is your lucky day, I finally got to do some more birding over the last few weeks. The migrants coming through makes things more exciting of course. It’s not quite Ithaca in warbler season, but the light and backgrounds available here more than make up for it. I try to include more habitat (and in an artistic manner) than most bird photographers out there, I hope you like the results. And if you are yourself a bird photographer, I urge you to look for opportunities that are more than just ‘a bird on a stick’. Sometimes when I’m out birding with the big telephoto lens (I usually don’t take any other gear with me), I’ll see something else that catches my eye. Here’s two such scenes that caught my eye. The first is ‘just’ tree bark – usually a clichĂ© – but the dappled light and singular variation in color made it stand out for me. The second was photographed under entirely natural conditions, with very little processing besides the black and white conversion – the sun directly illuminated this scene, while the background was in deep shadow, creating a ghostly reverse silhouette.


“Cracked Skin” ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/125th sec


“Ghosts” ~ Eaton Canyon, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/16, 1/200th sec

This past weekend I made several short trips, each with great success thanks to good timing and valuable research. This first image is from near Anza-Borrego State Park. I had scouted out this location on one of my previous trips, and knew it would be perfect for an exciting sunrise. Since then I kept an eye on the weather, looking for the tell-tale ‘mostly cloudy’ overnight and ‘mostly sunny’ the following day. Such change-ups in weather often provide a very good chance at at least something exciting happening. In fact, I went to the hills above under the same predicted conditions – two for two this week! This spot is called ‘the pumpkin patch’, and is technically in the Ocotillo Wells Vehicular Recreation Area. To protect the weird formations from the dirt bikers and thieves, there’s a big fence surrounding the relatively small patch of ‘pumpkins’. There aren’t many compositions possible without getting too much of the fence in the frame, this was one exception, though I did have to clone out a few fence parts way off on the horizon – the wide angle lens perspective made them relatively insignificant and you probably wouldn’t even have noticed them at this size. It’s believed that the ‘pumpkins’, more technically mud concretions, were formed underground by sand and mud cementing themselves to small particles like a sand grains, or shell fragments. Then as water and wind eroded the surrounding matrix away, the strange mud balls were revealed.


“The Pumpkin Patch” ~ Near Anza-Borrego
The Tech: Canon 5D2, 16-35mm mkII, 2-stop hard GND, tripod
Exposure: iso 200, f/14, 1.3 sec


The ugly side of the pumpkin patch – the fence surrounding it to protect it from dirt bikes and thieves.

After my brief, but colorful, morning in Anza-Borrego, I made my way to the Big Morongo Nature Preserve, a truly amazing bird magnet of the desert. This is a little oasis with lots of Cottonwoods, Palms, and even a Marsh! Not surprisingly, the birds love this place, and all the migrants make sure to make a stop. It’s almost like being in the tropics, what with the colorful tanagers, warblers, and flycatchers! Of course, then you realize that it’s not a humid heat, no, it’s a dry heat that will soon reach 110F on a daily basis. But for now, it truly is a little paradise.


Vermilion Flycatcher ~ Big Morongo Nature Preserve, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 200, f/5.6, 1/250th sec


Baby Bluebirds ~ Big Morongo Nature Preserve, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, monopod
Exposure: iso 800, f/5.6, 1/400th sec

For a few more birds, slightly less artistically inspired, see here.

Since I was on a roll with the birds, I decided to pay a visit to an American Dipper nest I had heard about thanks to a friendly Pasadena Audubon member. After a 5 mile bike ride in a lovely little canyon I got the to place – a truly lovely setting to have your home! So wonderful, in fact, that it seemed as though these dippers were busy building a second home! I don’t blame them, I doubt there’s a better spot you could ask for (at least, in the San Gabriel’s, where idyllic scenes like this are very rare). The American Dipper is America’s only aquatic songbird, and they full fill their niche with style. Allegedly John Muir’s favorite bird, these little songbirds will swim through swift currents, dive into little ponds, and cling to slippery surfaces with (relative) ease (I did see them slip a couple times). They aren’t by any means restricted to living in balmy places like the foothills around LA, I’ve seen them diving for bugs in small holes of ice in the dead of winter in Utah’s Wasatch Mountains. But this pair must have it good in their little fairyland.


The Dipper’s fantasy home.


American Dipper ~ San Gabriel Mountains, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, tripod/sidekick
Exposure: iso 3200, f/5.6, 1/125th sec


American Dipper ~ San Gabriel Mountains, CA
The Tech: Canon 5D2, 500mm + 1.4x tc, tripod/sidekick
Exposure 1: iso 3200, f/5.6, 1/160th sec
Exposure 2: iso 400, f/7.1, 1/13th
Notes: I blended the bird from the high iso fast exposure, and the water from the longer exposure. The water in the shorter exposure was too distracting – neither frozen nor smooth and watery.

For a few more of the dippers, including a close up of their nest above the falls see here.

That’s all the images for this week, hope you enjoyed the more than usual number of birds that graced this edition of my blog.

The show two weeks ago here in Pasadena went really well, thanks to all those who came out! There was a lot of great art hanging from the walls, and it looks like there’s future shows in the works. Several of my prints are still hanging in the window of the building on Raymond St., near Colorado Ave across the street from Dick Blick’s Art store – if you missed the show and find yourself in Old Town Pasadena, make sure to check them out. Calendars will soon be available for pre-order, so start counting your friends in need of gifts this year!